She took her roses and made a bed, A stony pillow for her head. As a creator / contributor at musicto I'm part of a global creator community that collaborates through music. Scammell was a co-founder and a contributing editor. 'Twas out in the garden this fair maid did go, A-picking the beautiful primaries. I've lost my love and I'll love no more. La suite des paroles ci-dessous. This does not mean that this was, at any stage, a children's song in the sense that we think of such things today. Hallmark CS-9 (12" 33 1/3 rpm disc). Cara Dillon - She's Like The Swallow Lyrics. St. John's Telegram, October 16. The rest of the brief article analyzed the meaning of the song as a lyric resonant with the "common everyday experiences of a maritime people. " His tune is that of the Karpeles version, and his text varies only slightly from hers, but when he published the song and music in a locally distributed songster in 1964 he labelled its origin "unknown" (Blondahl 1964, 120).
'Twas down in the meadow this fair maid bent. But the availability of folksong performances on record made such music accessible to many more people, because songs could be learned easily and quickly, and without the need for musical literacy. I wrote an album of solo piano music called Music to Grieve to - from which the idea of the Music to community originated. Sharp concluded that one of the hallmarks of a true folksong was that its melody had been shaped by non-harmonic principles. She's like the sun beaming on the lea shore. But Sharp (and his followers, of whom Karpeles was the epitome) were not just Fabian socialists, they were also followers of William Morris's arts and crafts movement. Music by Carl Strommen and Lauri Strommen.
Composer / Arranger Notes: My initial arrangement of She's like the Swallow' (SATB), one of my Five Canadian Folk Songs, was commissioned in 1995 by the Vancouver Chamber Choir, Jon Washburn, director. 67 (12" 78 rpm disc). Until this fair maid's heart did break. LUCKEY'S BOAT/SHE'S LIKE THE SWALLOW [10043] ("Canadian Folk Songs"). Repeat first verse).
Finally, how are these songs and "She's Like the Swallow" itself related to "the large family of songs about unhappy love" to which Fowke alludes? Harmondsworth, England: Penguin. In 1999, the provincial government titled its report on public forums concerning the troubled Gulf Ferries service "On Deck and Below, " part of a line from the chorus of another Doyle favourite, the "Ryans and the Pittmans. " From this we can take a clue: children who heard and remembered "She's Like the Swallow" learned about contrasting gender perspectives concerning physical and spiritual love. I offer my interpretation of his borrowing and its effect below. Gerald Thomas and J. D. A. Widdowson, pp. Streaming and Download help. She's like the sunshine on the lee shore, Karen Casey has a nice version of this song on her "Songlines" CD. Casey, George J., Neil V. Rosenberg, and Wilfred W. Wareham. During World War I they had travelled in the southern Appalachian Mountains collecting English folksongs.
A-picking the lovely primrose. In it we meet a third person who, upon seeing the young woman has died of a broken heart, confronts her former lover with this news, to which he responds that he's glad to know she "thought so much of me. " — and confronts him: "what have you done? "
2-Part/SSA Choral Octavo. Fifteen Folk Songs from Newfoundland. There were no radios, and phonograph recordings were rare. Make sure your selection. Was it associated with a tune? The woman is not dead — yet — for in three versions she speaks to her false lover in the following verse. The Bush Garden: Essays on the Canadian Imagination, pp. So the female scholar pushed her edited version of the text toward lyric, while the male scholar pushed his toward ballad. Symbolism: There are a variety of phrases used here that symbolize certain events. Works well just as a tune - but here are the lyrics for those who wish to sing it.
On the one hand, Carpenter (115, 117), Narváez (215-216), and Lovelace have seen her from a perspective built on Newfoundland and Canadian experiences: a representative of the heavy-handed Empire-soaked colonial approach, that, in terms of the local perspective, retarded national cultural development. Figure One: John Hunt's melody as published by Karpeles in 1971. Peacock places it between "B" and "D" in the place taken by "C" in all other versions. Album: Music from a Farther Room. 52 Verse "A"'s repetition, its source for the standardized title, and its uniqueness in being associated only with this particular pool of verses, all suggest that it could have been composed in Newfoundland. Newfoundland Studies 16. Words by Al Dubin, music by Harry Warren / arr. These correspond, roughly, to Hunt's verses 2-4 (B, C, D).
During this era politicians like Joseph R. Smallwood, the man who would lead Newfoundland into confederation with Canada in 1949, found their main rhetorical outlets in the popular culture business. Hunt actually gave Karpeles all of the lines of "F" but she reports them as the last two lines of a "corrupt" five-line verse followed by the first two lines of an "incomplete" final verse. Particularly poignant when sung by female voices, this folk song is a lament about a girl who has been betrayed by a lover. "Newfoundland Vernacular Song. " However she did not publish the actual text noted four years earlier, but what she later would describe as a "Text Adapted for Singing" (Karpeles 1971, 295). 19 Newfoundlanders interested in folksong took note of this.
The more she plucked, the more she did pull. Let us now examine the individual verses. How foolish must that girl be. Like Hunt, Bugden moves to the first person in the final line, but he makes the point more clearly — "I've lost my love and I'll love no more. " Her heart was broke. "The Canadianization of Newfoundland Folksong; Or, The Newfoundlandization of Canadian Folksong. " In both of her notes Fowke goes no further than a mention of "unhappy love" (Fowke 1965, 1973).
Look to the Rainbow (from Finian's Rainbow)PDF Download. X:2 is closer to how I've heard this sung as a song. Folklore Forum 15: 17-38. Written by: CARA DILLON, SAM LAKEMAN.
71 As Lovelace says, this modernist movement sought to go "back to the future" (284) by sifting through the pre-industrial past in search of workable patterns for modern life. Most of them appeared in one or more of the songsters published by St. John's businessman Gerald S. Doyle in 1927, 1940, and 1955. 42nd StreetPDF Download. 6 And when I go home I'll write a song, I'll write it wide and I'll write it long, And every line I'll shed a tear, And every verse recall, my dear. Atlantic Guardian 8. A trip to Newfoundland to gather comparative data about English folksongs was cancelled when Sharp died in 1924. 5 Out of those flowers she made a bed, And there she laid and never spoke. 14 A decade later, Smallwood, the editor of the volume in which Emerson's essay appeared, was leading the campaign for Newfoundland's confederation with Canada. When she was in London around 1970 she and Neil Murray visited Maud Karpeles and she sang her version for Karpeles. Newfoundlanders Sing! 60 There is one other verse, "J, " verse 3 in Walters's "She Died in Love, " which Peacock borrowed and inserted into Decker's version of "The Swallow. " I have often asked about it, but nobody seemed to have heard of it. Will Straw et al., pp. Album by Karan Casey - Songlines (Feb 18, 1997).
Ottawa: Queen's Printer (National Museum of Canada. Toronto: Burns & McEachern. Verse E. As collected: Bugden, 4; Simms, 4, lines 1-2. A-picking the flowers that there was spread.
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