© 1999-2023 Sounding Boards, LLC. That's something I still do on stage. I think it would be funny. Obviously you're still gigging quite a bit but have you made a conscious decision to ease up a bit now that you have built up that base of support?
I mean I did when I was 21, 22 years old. I was enjoying the high energy of the clubs. I wanted something easy to show the guys: a-b-c-d-e-f-g and just look to me for changes. DB- Okay, final geeky internet question [Laughs]. How would you compare audiences across the country? I went to about ten shows a tour spring summer and fall.
All rights reserved. DB- I would imagine that many of our readers have some familiarity with the story of how you invited the members of String Cheese to a show and by the end of the night they were all performing with you. Phish when the circus comes to town chords ver. There might be nothing off the record that would remind you of REM but he was definitely an early influence in terms of using weird words for lyrics. There's been several phases. There are others when I'm trying to make people think and there are others that tell a story with a beginning, middle and end. So while driving back and forth on that highway I came up with this crazy scenario of swimming in those canals. Phantasy Tour® is a registered trademark of Sounding Boards, LLC.
It's really easy to do that in guitar playing. KW- I've never put much thought into it in terms of following someone else's songwriting footsteps. It's interesting, though, if don't get to it, sometimes people will put off what they're doing the next day to go that show and hear the song. There's a big realty company that owns, so that your web site is Are you bitter about that? DB- So you don't have any fears about that being a burden, or do you just figure you'll worry about that when the time comes? DB- You're about to start a big tour. "Gallivanting" is a song I wanted to do because the chords are a-b-c-d-e-f-g and each word in each chord starts with the first letter of the chord. I also had different ideas as far as the rap section goes. I got attached to his writing style back in high school, the way he uses words for musical purposes and not necessarily for meaning. Other times lyrics will pop out of nowhere or else I'll be having a conversation with someone and something will come up that I can use. So I kind of got a kick over that. Phish when the circus comes to town chords printable. Maybe it has to do with smoking which there is much more of in the south that turns it into more of a social interaction thing.
Is there one region for instance that you think listens more closely? Plus I had these big ideas for it in the studio. But I'm curious, had you been checking them out quite a bit before that first time you encouraged them to see you? Although my mom keeps encouraging me to play a company picnic. But now I'll have someone find the list of what I played when I was there and I'll have the list that afternoon so I'll try to play something completely different. I would get some crappy minimum wage job and work it hard for a month and then spend it all on like ten, eleven shows. KW- I honestly think it never will happen but if I did I would get a kick out of it. Not Your Typical 'One Hit Wonder': Keller Williams' _Laugh_ (Ten Years On) - Page 2 of 2. Then after they come to see the show and hear that song they might like it and come again next time without having all that corporate mess on the radio. DB- What led you to re-record "Kidney In A Cooler? There are some songs that maybe no one will understand, it's just personal thing. The way I'm hearing it she's using the circus to tell people about her life on the road. In 95 I jumped into the String Cheese phase. KW- Each song is completely different.
KW- [Laughs] I've gotten over it. I'm used to going out and winging it, so it's hard for me to remember what I played the last time I was around. Driving from one side of Florida to the other there's an actual stretch of highway called alligator alley. So I'd play more of what people want to hear, requests.
The tent goes up, the tent comes down and all people see is the show, they don't see what goes on behind it. KW- I'd probably seen them about five time before actually meeting them, and that was in small little ski town bars. There are two canals on either side where I guess thousands of alligators live. Phish when the circus comes to town chords key. Obviously that's tongue in cheek but, and I guess this sounds like a Congressional inquiry, do you now or have you ever aspired to be a one wonder? KW- That's a tough one but I'll tell you, at least from my perspective, I think the west coast audiences are more perceptive, listening carefully and more focussed on the music.
DB- I can see "Gallivanting" in those terms. KW- That song's very dear to me because it's a road song. Earlier you mentioned that at one point you hit it pretty hard, planting seeds. I would imagine that their songcraft impacted yours. I want to perform in small theatres, that's my goal, and I think that to have a song blared on every major radio station around the country will definitely increase my show tickets. I drove up to see them in Leadville which is a tiny little town that is actually the highest altitude town in the country. DB- What bands were you into at that point? I started seeing Phish around 92 at the last of their club phase and that was really exciting but once they moved into the coliseums it kind of lost it for me. I also wanted to use three snares at the same time, which we do and it's pretty cool.
KW- In part just the response it has at shows. People weren't really coming to the show to hear me, it would be a popular drinking spot. DB- In terms of your compositions with lyrics, where do you typically start, with the music or the words? I was thinking about Hammond organ which never made it on there. I guess I would see Michael Stipe as an early influence. Back then the types of venues I was playing were small restaurants and small bars where you'd wait until 9:00 when people finished eating and then they'd take a few tables out of the corner. The local spots around where I live I might hit twice a year but Florida, California, Seattle that's definitely like once a year. I'd set up there and play for ambiance. DB- Do you still take requests? That began a relationship that continues to this day. KW- No I just wanted a pretty nice fast jazz grass type song that would be easy to show someone and that one used the changes really easily. But I do what I can. Then I'd head back to college or to work and do something to make money. DB- You named a number of people earlier whose music you covered on your first demo tape.
DB- Had that idea been kicking around your head for a while? KW- There I'm just describing the experience of looking out at the audience and making up stories about what I see. DB- Back to your own touring, I'd like to hear your thoughts on one question that I return to, and one that interests me quite a bit. Describe your approach to interpreting that one. DB- She's represented on Laugh via your cover of "Freakshow. " KW- I guess from 87-95, I was in that big Grateful Dead phase.
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