So go hate watch it, or hate to watch either way, you're gonna be humming "Super Trouper" when you run and jump and flail out the movie theater G Super Reviewer. Yes, it's terrible, but if your response to that is "So what? Her storyline, hinted at in the first but fleshed out here, shows us how she met and bedded the three possible men who would become Sophie's father. News & Interviews for Mamma Mia! Phonetically pronounced English! Feels good to come clean like that. Again, it's a terrible movie. It's impossible to take your eyes off her in this film. I've always worshipped that Swedish hit machine, clamoring for each album, marveling at the European chord progressions, the indelible harmonies, and their power pop classics. I wanna hear me some more ABBA songs and watch Cher, dammit! Instead, we got a lame story of "Who's Your Daddy" on a way-too-sunny Greek island.
It was aggressively stupid, borderline unwatchable, but those songs made it a guilty pleasure. A different director (Ol Parker), and a giant cast who, for the most part, seem to be really into it. If someone asked me to name the movies I've seen the most, they're rarely the all-time great classics. So consider my excitement when MAMMA MIA hit the Broadway stage, followed immediately by my disappointment in what I called, "The Musical They Forgot To Choreograph". Those who come for Cher and Meryl Streep have a long wait, with Streep clocking in a less than three minutes of screen time. Fernando Cienfuegos. Luckily Brosnan only hums a few bars of "S. O.
It kicks the film into high gear as we watch Young 1979 Donna, the Meryl Streep character from the first, (a fun, engaging performance by Lily James) graduate from school along with her besties, Young Tanya and Young Rosie (Jessica Keenan Wynn and Alexa Davies respectively), who are incredibly well-cast as the younger versions of Christine Baranski and Julie Walters. I'll probably stop and watch it again when it shows up on a streaming service or on a plane. Dominic Cooper gets that dreadful distinction with his terrible croaking on "One Of Us", but Hugh Skinner's atonal "Waterloo" is a close second. Furthermore, the emotional beats don't feel nearly as cheap as the sets and despite a complete lack of stakes one could do much, much worse if in search of something light, frothy, and full of pure escapism. Jul 21, 2018B-SIDES THE POINT - My Review of MAMMA MIA! HERE WE GO AGAIN (3 Stars) Hi. We remember SHOWGIRLS, XANADU, GREASE 2, and VALLEY OF THE DOLLS, to name a few, because we relish in their terribleness. She has marital problems with Sky (Dominic Cooper), a deadbeat Grandma (Cher dammit! )
Nothing quite sticks when it comes to plot, as every scene shoehorns in another ABBA song, and that's really what we came to see, right? Cut to ten years later, and somehow I like to think everyone involved learned a thing or two. Sure, it's a dumb, crooked smile, but a smile nonetheless. So bad movie lovers, rejoice, because MAMMA MIA! Despite repeating some of their better known songs, this film, for the most part, dives deeper into their catalogue, filling the soundtrack with a lot of the band's sappier ballads and B-sides instead of some barn burners like "On And On And On" and "The Visitors". Who has never supported her granddaughter, cares? And I am an ABBA-holic. E. g. Jack is first name and Mandanka is last name. Strangely, what story their is, intercut between the two timelines, is so slight yet somehow resonates on its themes of family, friends, and the importance of honoring the dead. Aug 11, 2018Not as good as the first one, but still very Reviewer.
HERE WE GO AGAIN, in all its fake green screen glory, its literal boatloads of stupidly jumping extras, and its pure pop bliss. Lesson One: If you're gonna make a dumpster fire, go big or go back to Sweden. The young versions of the Dads are all well-cast in the sense that they resemble Pierce Brosnan, Colin Firth and Stellan Skarsgård and they sing just as miserably. Audience Reviews for Mamma Mia! In the modern day timeline, Sophie (Amanda Seyfried) mourns the loss of her mother as she prepares to reopen their newly remodeled hotel in her honor. Bad movies occupy a special place in pop culture. There's even a good line or two every now and then, most of them by Baranski, of course, but MVP honors go to Omid Djalili as a Customs Officer who not only crushes his scenes, but has the distinction of starring in the post-credits Easter egg scene, which is kinda worth the wait. Oct 01, 2018Despite the nice scene transitions, the two parallel storylines are not always put together in an organic way, but while Ol Parker's direction is not so en pointe either, this uplifting sequel is notably superior to the awful first movie in about everything: singing, acting and heart. You might also likeSee More. Sure, some of the musical numbers are worse than an amateur karaoke night, but at least this time around Colin Firth, Stellan SkarsgÃ¥rd, and Pierce Brosnan are playing up how bad they are at all this singing and dancing stuff. Dec 10, 2018I didn't see the first movie in theaters and I hardly remember a thing about it, but I'll be damned if this thing didn't win me over from the moment Lily James stepped on screen.
Read critic reviews. Not only was the camera NEVER in the right place, the actors ran and sang, they jumped, they waved their arms while doing karaoke versions of the classics. HERE WE GO AGAIN knows exactly what movie it is, giving me the smiles throughout.
I mean, seriously though, if Lily James wants to do a movie about young Julia Child I'm all the way there for that. I can't believe I'm writing about non-singers doing ABBA numbers in a dumb movie, but the more you know. For some reason, I was hoping for a jukebox musical about the band. ", then by all means, you're gonna have a blast. Attend, Share & Influence! The film version, execrably directed by the helmer of the play, was even worse. The musical numbers, like last time, consist of a ton of running and flailing, although nobody leans into a mic as well as Lilly James. HERE WE GO AGAIN, we have a prequel and a sequel all in one (Not since Godfather II?!! Stay tuned with the most relevant events happening around you. Cher, however, has fun with "Fernando", a strangely winning duet with Andy Garcia. Parker Performing Arts School, 15035 Compark Boulevard, Parker, United States.
I think I've seen MOMMIE DEAREST many more times than I saw CITIZEN KANE.
I'm finally coming into myself as an artist in the past couple of years, learning how to fuse my craftsmanship with concept to achieve a complete idea. Bodysuit underwear for men. I was extremely fortunate because my father ran a craft shop called 'kit kraft' in los angeles, so he would bring me home all kinds of damaged merchandise to play around with. As far as the most difficult body part to replicate…probably an erect penis for obvious reasons. DB: are there any mediums you have explored that you're keen to experiment with?
These early molding and casting experiments really came to play a huge role in the ideas I would later have as an artist, and got me very comfortable with the materials and process. Our brains are programmed to tune into the fine details of the face, I'm hardwired to be fascinated by faces. The artist's most recent exhibition BODYSUITS took place at LA's superchief gallery. But sometimes taking a closer look—at mucus, teeth, genitals, hair, and how it's all put together—can be a strangely uncomfortable experience. DB: what is the most difficult part of the human body to replicate, and what is your favorite part to work on? Ultra realistic bodysuit with penis growth. To what extent do you feel the personalities or experiences of your real-life subjects are retained by the finished molds, or, once complete, do you see the suits as standalone objects in their own right? Noses, mouths, eyes and skin are things we all have a fairly intimate relationship with, and changing the way we present these features can seem integral to our sense of identity. I use materials and techniques borrowed from special effects, prosthetics, and makeup (an industry built on the foundations of those words) but the concepts I'm illustrating really have nothing to do with gore, cosplay, or horror.
Designboom caught up with sitkin recently to talk about the exhibition, as well her background as an artist and plans for the future. What was the aim of the project, and what was the general response like? Sitkin's work forces us to encounter and engage with our bodies in new and unusual ways. All images courtesy of the artist.
DB: what's next for sarah sitkin? I started making molds of my own body in my bedroom using alginate and plasters when I was 10 or 11. my dad also did a face cast of me and my brother when we were kids, and the life cast masks sat on a shelf in the living room for years. Unable to contort the face itself into its best pose, the replica can feel like a betrayal of truth. Flesh becomes a malleable substance to be molded and whittled into new and unrecognisable shapes. Are there any upcoming projects you'd like to share with us? It forces us to confront the less 'curated' sides of the human body, and it's an aspect that artist sarah sitkin is fascinated with. Where to buy bodysuit. I try and insulate myself from trends and entertainment media. Designboom: can you talk a bit about your background as an artist: how you first started making art, where the impulse came from and when you began to make these sculptural, body-focused pieces?
This wasn't just any craft shop—it was a craft shop in a part of the city that was saturated with movie studios so it catered to the entertainment industry. Working within gallery walls is actually exciting right now because the opportunity to show work in person opens up the possibility to interact with the public in new and profound ways. Moving a person out of their comfort zone is the first step in achieving vulnerability, and in that space, a person may allow themselves to be impacted. When someone scrolls past a pretty image it is disposable, but when someone takes their own pic, it becomes part of their experience.
Sitkin's father ran a craft shop in LA called 'kit kraft' where she was first introduced to the art of special effects. The result is often unsettling but also deeply personal and affecting, and offers viewers new perspectives on the bodies they thought they knew so well. SS: what influences me most, (to say what constantly has a hand in shaping my ideas) is my own psychological torment. I developed my own techniques through experimentation and research, then distributed my work primarily via photographs and video on social media. DB: I know you're also really interested in photography and I'm interested in hearing your thoughts on how that ties into the other avenues of your practice.
Do you see the documentation of your more sculptural work as an extension of those pieces or a separate thing altogether? The work of sarah sitkin is delightfully hard to describe. When I take a life cast of someone's head, almost every time, the person responds to their own lifeless, unadorned replica with disbelief and rejection. I suppose doing an interview with someone who's body was molded for the show would be an interesting read. Removing the boundaries between the audience and the art allows the experience to become their own. Sitkin's studio is home to a variety of different tools and textiles. In the sessions I've experienced a myriad of responses. In deconstructing the body itself, sitkin tests the link between physical anatomy and individual sense of identity. The sculptures, while at times unsettling, are also incredibly intimate.