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Na-mi is a wealthy housewife, but despite her comfortable life she finds herself feeling unfulfilled. Hyeok-jin has just split from his girlfriend so plans a trip by the sea with his friends. This is a very personal film for Hong, more so than much of his other work. ‘The Novelist’s Film’ Review – Berlin Film Festival –. More Director Im as we once again return to the darker days of the dictatorship with this feud film centred on two mortal enemies, Song and Chakko. 71), this portrays the Gwangju Uprising in 1980 where thousands were killed as students demonstrated against the martial law government. Director Hong again, this time focused on a college student called Haewon who had a secret affair with Seongjun, her professor. Production company: Jeonwonsa Film Co. The Coachman (1961).
He has a crush on college student Mi-ran but after failing to win her over he runs away from home. With a shareholders' meeting upcoming, he visits his hometown of Mujin. His works are uncomfortable, stunning tales of connection and misconnection. Absurdity of the Mundane: The Cinema of HONG SANG SOO. The characters are the same, the situations, locations and even some of the lines are exactly the same. Hotel by the river hong sang soo tumblr themes. A truly manic piece of filmmaking, often going in more daring directions than The Housemaid (1960).
They don't have a grand narrative, a world to save or even as much as a goal at times. The King of Pigs (2011). Night and Day provides a feeling of exile, combined with the ability to find connections on the other side of the world. Hotel by the river hong sang soo tumblr pics. Suddenly in the Dark (1981). Apr 4: Oklahoma City Museum of Art - Oklahoma City, OK. Apr 4-11: Wisconsin Film Festival - Madison, WI. She sits down to count the pennies and decides that she is not willing to forego the cigarettes and whisky, but paying no rent seems appealing and she goes sofa-surfing with old friends instead. Using the claustrophobia of the apartment setting and its narrow peephole-sized view of the outside world, Park takes Freudian themes and combines them with neurotic manias to great effect. Set in the 18th Century, a governor's son named Mongryong marries the beautiful Chunhyang, the daughter of a courtesan.
This is often considered his magnum opus though, poignant but with flickers of humour. It is a true technical masterpiece, with effecting sound editing and stunning cinematography. The film manages to be warm while having dark flickers as we share the heartache of a family struggling to succeed with the connections to propel them to wealth. Hotel by the river hong sang soo tumblr centaurica. Han Gong-ju is based on the Miryang middle school girls rape incident in 2014 where at least 41 male high school students gang raped several middle school and high school girls over the course of 11 months. Lee Hye-young plays Junhee, a hitherto prolific novelist who visits a former fellow writer who now runs a bookshop outside Seoul, then takes a walk with a film director who, we gather, was once planning to adapt one of her books. But the Hong faithful will be happy that the filmmaker, who went AWOL for a year after making three movies in 2017 and two in 2018, is back with a new film that's similar to the ones he made before it — and yet a little different in quite a few ways. Novel and boasting exquisite long-shot cinematography, Il Mare has secured itself a cult following and decades later it still provides an innovative, time-scrambled take on the romance trope. A successful play before it was incarnated cinematically, this is a film of true lyrical beauty. Re-accustoming to life in Korea, she is managing it one day at a time.
Winner - Best Actor - Locarno International Film Festival. On the Beach at Night Alone (2017). In one scene a Hong-like character expresses his feelings towards another by reading a passage from Chekhov's About Love, admitting for the first time his love. It follows Do-seong, a child monk, who lives in a peaceful mountain temple. May 24: George Eastman Museum - Rochester, NY. Woman of Fire (1971). Contribute to this page. With her mother immigrating to Canada, Haewon is feeling low and reaches out to Seongjun again after a long hiatus. The pairing of two detectives, one a wily veteran and the other a super sharp youngster, leads them on a series of interviews as they edge nearer to solving how Chul-woon met her fate. The Insect Woman (1972). The first of three Jang Sun-woo films on this list, we see Pan-chok chase the consumerist dream ("Sleep more than four hours and you're doomed! " This is the low-budget debut most aspiring filmmakers dream of making. Director Hong Sang-soo not to challenge court's dismissal of divorce suit. Most of Hong's output has been festival material more than theatrical fodder, and since The Woman Who Ran doesn't scale the dazzling heights of, say, Right Now, Wrong Then or benefit from the star power of his collaborations with Isabelle Huppert, this won't have buyers running to sign on the dotted line. "GRASS's main set is a languorous coffee shop, Kim plays A-reum, who quietly sits in the corner and eavesdrops sundry conversations of other patrons, and is mildly baffled when one of them approaches her for a rather audacious favor.
Failing to get approval from his powerful father soon complicates this young love though. My Sassy Girl (2001). Viewers who have been trying to read between the lines from the opening minutes will now have some ammunition to start building their cases. A drink that often crops up is the Korean drink soju. The Korean auteur continues his exploration of the complexity of human relationships, detouring through the rainy back alleys and cramped bars of Seoul, where loneliness is drowned in drink. 30-something Miso, played superbly by Esom, is informed that her rent is rising. Original title: Pul-ip-deul. Think about what it means! The cinema of Hong Sang Soo. Indeed, this is Hong's most female-centric film in recent memory and by giving all men the cold shoulder he's found a fresh-feeling variation on his otherwise familiar brand of conversation-heavy films. The Day a Pig Fell Into the Well (1996). They too talk about real-estate values and good neighborhoods and have a meal together, and Gam-hee again recounts the fact she has never been apart from her husband of five years for even a day — though given the film's chronology, it must by now have been at least two days. I'm not as bad as you think, " says the frequently bruised-faced career gangster Byung-du in a film that is more reflective than the average gangster yarn.
Her first stop is the home of bespectacled, slightly weary-looking Young-soon (Seo Young-hua), who recently divorced and moved to the outskirts, where she has a vegetable patch close to her apartment. Showing love as an explosion that can just as rapidly die out. It is one of Hong's most fascinating restaurant single-take shots ever too. A film by Hong Sangsoo. Often low-key, coasting along on its own vibes, it is a film comfortable enough in its own skin to do so. At times he has even gone so far as to compose music himself, recording low-fi renditions on his phone, before adding them to his films. An aging poet, Younghwan (Ki Joobong), summons his two estranged sons (Kwon Haehyo and Yu Junsang) to a solitary hotel beside the Han River because he feels his death is near. Choi plays Jang Seung-eop, a nineteenth-century Korean painter who is accredited with changing the direction of Korean art. Kilsoo says she has not taken a role for a long time.
Yoon-hee lives with her high school student daughter Sae-bom. Like much of Kim's work, Io Island is startlingly ahead of its time, a truism that applies to his films from any decade. Eventually, her partner's conformist behaviour grows too much and she snaps. Miss Lee works at a bank and finds herself in an uneven marriage where she is unfulfilled and uneasy. Characteristically self-referential, Goo heads over to Jecheon to judge the local film festival, but he falls into the trap of so many Hong characters by drinking too much and offending too readily. We are given a series of flashbacks to see this battle, but eventually we witness the pair in the twilight of their lives as they start to understand each other in fresh ways. Night Journey (1977). Half way through Right Now, Wrong Then (2015) the film restarts. Well before The Housemaid (2010) and Canola (2016), and before she became the first Korean actress to be nominated for an Oscar, Youn Yuh-jung was excelling in the second film in Director Kim's Housemaid trilogy. SEOUL, June 28 (Yonhap) -- Director Hong Sang-soo has decided not to appeal a recent court ruling that turned down his request to divorce his wife of more than 30 years, his lawyer said Friday.
He says; the screen lights up. Tasked with following up the international success of the Vengeance Trilogy, Park Chan-wook provided this dippy rom-com of peculiar proportions, with no better setting for his manic story-telling than the blue-tiled walls of a mental institution. Risqué for the highly censored era of its release, The Seashore Village unpacks female sexuality and the power of women in the second list entry for Kim Soo-yong. The first two acts are relatively light and straightforward in tone — naysayers might even say "slight" — and it could be argued that at first sight, Gam-hee, played with gentle aloofness by Kim, doesn't seem to really open up emotionally with either of her friends. At a time when so many people have been isolated, it is a hymn to the galvanizing spark of collaboration. The first entry on the list from legendary director Im Kwon-taek and the first centered on traditional Korean musical storytelling 'pansori', Chunhyang made it all the way to the Cannes Film Festival.
The Seashore Village (1965). While at times his films have been criticised for being slow, one-dimensional and at times repetitive to the point of being self-indulgent— for fans of his work these criticisms are what truly make his movies worth viewing. Coming in at a trim 76 minutes, Night Journey boasts some dazzling cinematography and is led by an equally eye-catching central performance from Yoon Jeong-hee. The new film by Hong Sang-Soo, coming to Haifa from its premiere at the Cannes Festival, keeps true to his intimate and minimalist style. He isn't trying to make any global statement about how the world really is, but rather just make keen observations of the people that interest him, the objects that he finds beautiful and the moments of time that resonate with him. A film that makes it impossible to look at fishing hooks in the same way again, The Isle is often gruesome but sometimes startlingly beautiful too. Hunched over like a shell of a man, his figure viscerally displays the inner emotion that this music stirs in him. But there are other elements that hint at an intriguingly spiky if only barely hinted-at subtext as well. The Surrogate Woman (1987). CLASSICAL COMPOSITION. The top grossing film in the country for 1984, its superb cinematography frames everything from the city, to snow-covered mountains, beaches and countryside. How can he say someone else is wasting her life?
The decision was made more than two years after Hong lodged a divorce suit in December 2016. He makes films of people—people in rooms: drinking, sharing, loving, basking in the beautiful absurdity that is our life. Fashion designer Su-jin and construction site foreman Chul-soo have a chance encounter leading to a relationship and eventually marriage. This improvisational, innocent way of creating is evident in his film On the Beach at Night Alone (2017). Mar 14: Portland International Film Festival - Portland, OR.