I don't you don't usually write words first, but occasionally I do. I'd been caught, I was lost, on my knees. Careful standing by him, he'll lock in for good Set…. The group began recording in Austin in late 2019, until COVID-19 crashed the party the following March, forcing them to hit pause and lock down with the rest of us. Tell me the truth later. What did that project mean for you? All them describing how they'd like me. Britt Daniel told the UK newspaper The Sun: "Every album needs a great title and Lucifer on the Sofa is this one's. DANIEL: It's really good to talk to you. And it's supposed to represent the duality that's going on there.
But these motifs appear in a lot of your work. What am I gonna do with. I'm not sure where that came from or where it was going, but then there was the line about Lucifer on the sofa, which I wasn't really sure where it came from either—it just felt really right. But in Edel's work, pop-culture and the political blend. This is a record that the songs really lend themselves to live performances. Origin: Made in the USA or Imported. SOUNDBITE OF SONG, "HELD"). And all three of those artists have that in spades.
While it may not be as definitive as their other classic covers "Me and the Bean" and "Don't You Evah, " it certainly works as a mission statement: Lucifer is the unbeatable sound of the right musicians playing together in the right room, and their collective confidence shines through on every track. No Spoon album is complete without a few love songs, and Daniel finds a way to navigate well-trodden territory. Producer:– Mark Rankin & Spoon. Type the characters from the picture above: Input is case-insensitive. Daniel said he had always tried to disguise any genuine emotion written in his songs and that this was his first time in almost thirty years of writing music that he allowed himself to write a straight-up love song not coated in metaphors born out of fear of vulnerability. Edel Rodriguez, originally born in Cuba and immigrated to the Miami, U. S., has been practicing his craft since his childhood and his latest works are sprawled across record stores on indie/art-rock band Spoon's tenth studio album. It felt like a political song to me where I was thinking about people that try to run the world by stepping on their opponents neck, you know, and being cruel and assuming that there won't be any repercussions for that. WERE THERE ANY ALBUMS, NOT SPECIFICALLY CLASSIC ROCK, OR ANY ARTISTS THAT REALLY INSPIRED THE ALBUM? What key does Lucifer on the Sofa have?
Apart from Spoon and Fridmann, the other musicians are Los Angeles-based musician Ted Taforo (saxophone) and singer-songwriter Caroline Rose (backing vocals). I knew that she would take it as a potentially pro-Satan title, and it's not a prose of the time, it's just mentioning Lucifer. Now you're thinking about Dale Watson. It's wonderful to see a great project get noticed by my peers in the industry. How long did you work on this series? Spoon began laying down parts for the tune in Austin during December 2020 and sent them to Fridmann, who produced, mixed and engineered the song remotely from his Tarbox Road studio in Fredonia, New York.
I also saw on your IG stories that you visited Cuba a few years ago and that you did a series on that. All along West Avenue. She thought I had sung in the same way before and I asked her what she meant, and I think she singled out "My Babe. " So when we were getting together one day to work on this record, in order to sort of get us in the mood, we started playing some covers.
If you haven't heard, we're overjoyed to be putting on a day dedicated to Spoon, a band 88. But when I hear something that I really, absolutely love, that's what kind of inspires me, gets me in the mood to sit down and do something myself. ANOTHER SONG THAT LISTENERS WERE CURIOUS ABOUT, NOT FROM THIS ALBUM, WAS "THE UNDERDOG. " The chorus details abandoned artifacts of a past life with a past love, as Daniel pleads, "What am I gonna do with your last cigarette? DANIEL: It's a cover. Bring 'em roses, sing them blues. We feel that just about every time. I looked full over all the lies and. BD: I really like the drums on the first song because you hear two different takes along at the same time.
That was Jim's idea. I wanted to reclaim it, to give new life and personal meaning. We'd play like one or two new ones a night, and I'm really looking forward to it. Jimi has wonderful gestures to work with. Written and recorded over the last two years – both in and out of shutdown – these songs feel like a culmination of Spoon's career while marking a shift toward something louder, wilder, and more vivid. Then yeah, that's a good experience. And just lie tonight.
These activities included the singer being held "like a big old baby" and laying in tall grass to let ants cover him. You can have a, you know, real lack of motivation. The three-color palette is bold. BD: Yeah, that's a hit. BD: I never know what's influencing me or not, but I was listening to Arlo Parks a lot during the making of this record. AND I KNOW YOU SAID THAT LUCIFER IS A CHARACTER, SORT OF A PART OF YOURSELF. How did this collaboration work? SOUNDBITE OF SONG, "THE HARDEST CUT"). SPOON: (Singing) Cashed out in the front room, ashes stain his lips. This text may not be in its final form and may be updated or revised in the future. We're checking your browser, please wait... BRITT DANIEL: I think it's just a natural tendency to want to react against the last record that we made.
He could just as easily be describing a post-band apocalypse, in which the pandemic has irreversibly destroyed the pursuit of recording and performing music, and the unsold records and cassettes keep piling up. In terms of what it is about, it shares some similarities with Bon Jovi's "Wanted Dead Or Alive" in that it seems to compare being a musician to being an outlaw on the run, going from town to town and playing for the people. There also seems to be this strong imagery of what almost seems like African masks or more indigenous faces in your work. I let the jets fly Not wishing for their destruction…. I wrote a bunch of different verses. I grew up in a Communist society with no advertising or private companies, so there were a lot of new graphics that captured my interest when I arrived here.
Daniel sings with such high spirits and elevating energy on the hard-rocking "My Babe" that it has me wanting to sing my heart out and beat my chest for his babe too. From within the reach of me. I was stressing about it for a while because I know her religious background and I know there's sometimes not room for nuance. THAT SOUNDS SO COOL! And then words came out, I put it down on paper. SOMEONE SAID, "I INTERVIEWED THEIR DRUMMER ON WERS AS A STUDENT AND I'M AN OLD MAN! All the while being held like a, like a, like a big old. And I threw out this idea, why don't we play "Held"? Against the traffic lights. 9 has played and loved for over 20 years. I started working with red as a dominant color in some of my work about 25 years ago in college, for my MFA thesis exhibition. DANIEL: Sometimes you get to the end of a record and you have to figure out, OK, now how are we going to actually play this live?
There are not many negative things to say about the album. We went out and did a tour in September and October, played about 15 shows, but because the record hadn't come out yet, we didn't play too many songs from it. Are you a big Jimi Hendrix fan?
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