That way you can verify you receive the instrument before you release the money. Now I really want to buy a bari sax., speacilly the Selmer mark VI (with low A), Why the early mark VI is over $7000 and some is below $5000? Besides, It is hard to find the parts, pad.... Actually, I really want to try.... Not to mention, the mark VI's made in the 70's are the MOST modern sounding of them all. Maybe it's the pink lacquered Selmer Mark VI that used to be Dexter Gordon's back in 1969? The Mark VII is considered (generally speaking of course) to be the dud of the Selmer line. Of low A mark VI is in bidding, one is $5900 "buy it now", another one is up to approx. It's probably worth more than that, even with the Asian horns destroying the US prices. I sat down and talked with my good friend and legendary saxophonist, Bob Rockwell, about our favorite topic – saxophones at our favorite saxophone shop IK Gottfried in Copenhagen Denmark.
1973- 208701-220800. The selmer company made minor changes thoughout the entire production run of the Mark VI, and there are clearly examples of good and bad saxes that exist from each era. I'm not saying this person is going to rip you off, but it's always better to error on the side of caution. I just search the ebay, and there had 2 nos. The Selmer Mark VI is a saxophone that was made from 1954 to 1981. Others contend that Mark VI's produced after about SN 180, 000 had harder metal as a result of a change in the metalworking process, however, that SN corresponds to a known change in neck design so differing characteristics before and after can not definitely be ascribed to metallurgy. The limited production sopranino model was continued until about 1985. Well there's really not too much you can do to verify a dealer, just ask him for past customers to email and check with them and check his feedback and make sure that above all else he has a return policy because you never want to commit yourself to buying a horn without trying it. There were no Mark VII sopraninos, sopranos, baritones, or bass saxes, as the Mark VI design for those saxes was continued during the Mark VII era. All you can find is Selmer, Yamaha, Yani, Jupiter and some Taiwans' sax (I only meet a "poor" vintage Conn 12M tenor 3 yrs ago, it sit for repairing now! ) The news of the Ser.
Does it worth or not? As I'm in Hong Kong now, what web site can found this item??? It only spent 1 hour in the shop before it was sold…. During the mid-1960s optional keywork was offered, including the rare 'Concert' model with a high F#, right hand G#, D to E flat trill key and C to D trill key using the E flat palm key. My vision for this saxophone is to change the way we think of an entry level instrument. Tonally, early examples are considered to have a "dark" tone, while later examples are thought of as having a "bright" sound. This is a Selmer Paris Mark VI baritone saxophone, keyed to low A, manufactured in 1976, with original lacquer. Mark VI examples in the 236, 000 (1975) serial number range challenge the 231, 000 Mark VII change-over. 1971- 184901-196000. In this video I try out a bunch of Selmer Mark VI tenor saxophones in Copenhagen, Denmark where I used to live and work repairing horns.
Thanks for your advise! It is impossible to see the Selmer Mark VI in market! The early ones play better - like a vintage sax, the late ones are more modern. The high F♯ key was offered as an option, though some players believe that instruments without the high F♯ key have better natural intonation. It means the "insurance"? III will be released this winter/spring! One hypothesis is that the announcement of the transition in Selmer's 1974 literature was premature.
Manufacturer:||Selmer|. The design of the Mark VI evolved over time. Also, there were fewer low-A mark VI saxophones being produced in the early run. Bellingham, WA 98225. Eric Marienthal playing his Selmer Mk VI tenor saxophone. The quality and ergonomics of the keywork design of the Mark VI can be observed in current saxophone designs: most modern saxophones have keywork that is based upon the basic Mark VI design.
I can't compare this 3 bari. Bellingham Wind Works. The best assurance of the quality level of any given Mark VI may correspondingly be its known sale history. The Mark VI Sopranino model was produced from 1954-1985 and can be found within the serial number range of # 55201-378000. It was replaced by the tenor and alto Mark VII model in the mid-1970s (see discussion of serial numbers below), and the Super Action 80 soprano and baritone model in 1981. I could tell I will take longer than you? The style of engraving on the bell of the instrument is an indicator of the place of assembly. Selmer's General Manager Jerome Selmer has confirmed that all Mark VIes were manufactured from industry-standard "cartridge brass" stock and that Selmer never recycled shell casings. If the later VI is around $5000, is it fairy???
The British/Canadian Mark VI's often have a symmetrical medallion engraved on the front of the bell, and a design reminiscent of the chambered nautilus along the sides of the bell. Is not in good condition, they just "try" their best to fix it, you can not get a replacement! QTY: Product Description. An example exists of an 89, 000 series instrument sold in 1959. SGT17594 - from the place no "good bari. Took me 3 years to find a deal on a Mark VI baritone that I was happy with and played great. I'm sorry, but I can not tell you where to find a low-A Mark VI for sale right now in the lower price range. I've read the comments on here so far and if a horn is played out I'd agree with the prices. If your budget is around $650 this can be your one and only main instrument no matter what level player you are. Sizes out of stock will be backordered unless indicated below. I have an early Mk VI tenor, which I keep in my closet and play a Conn 10M.
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