Memory, turn your face to the moonlight. Then the family'll say: "Now which was which cat? Lyrics Licensed & Provided by LyricFind. When I'm seen in a hurry there's probably curry. Which is uncontestable proof of his singular magical powers. Oratorical cats, Delphicoracle cats.
LIGHTING AND SPECIAL EFFECTS: Lighting for an eerie nocturnal environment-huge backlighted moon, strings of colored lights, a ring of spotlights above center stage, smoke and fog effects. When the curfew was rung, then I swung on the bell. Why who should stalk out but, The Great Rumpus Cat! Well of all things can it be really. Gus the theatre cat movie. The jellicle moon is shining bright. There never was a cat of such deceitfulness and suavity. Hallelujah, angelical Choir. "Memory" (Reprise) – Grizabella, Jemima. Pollicle Dogs and Cats all must. He is quiet, he is small, he is black. Musical Numbers: Act I.
And we all say: Magical! He has eight or nine clubs. We're quiet enough in the morning hours. Go ahead and make my day. And be careful of Old Deuteronomy. The T. Eliot lyrics are greatly enhanced by the Webber score, but it's the costume/ makeup and dynamic production concepts that hold everything together and make the show work. She sits upon the windowsill or anything that's smooth and flat. Up up up past the Russell Hotel. And they think it is smart just. Gus: The Theatre Cat Lyrics - Cats musical. The musical Cats is based on poems by T. S. Eliot. At the Siamese or at the Glutton.
The foe was armed with toasting forks and cruel carving knives. Jennyanydots, Cassandra, Bombalurina, and Jellylorum are the first to strut their stuff. Gus the theater cat lyrics collection. Jellicle cats have bright black eyes. Where the gallery once gave him seven cat calls, But his greatest creation as he loves to tell. I have sat by the bedside of poor Little Nell; When the Curfew was rung, then I swung on the bell. The Rum Tum Tugger is artful and knowing.
And his footprints are not found in any files of Scotland Yard's. Humans (the audience) are present in the cats' private world. Before a cat will condescend. Growltiger's Last Stand. The Russian, the Dutch, the Dalmation. She sits and sits and sits and that's what makes a gumbie cat. 12 Broadway Songs from "Cats" | Show Score. It's after the Jellicle Ball, and the cats are resting, contemplating before they resume introducing more cats. I'd supervise them all more or less.
She flitted about the No Man's Land. Music, crocheting and tatting. The naming of cats is a difficult matter. If you touch me you'll understand what happiness is. My mind may be wandering but I confess. You may seek him in the basement, you may look up in the air. The name that no human research can discover.
"GROWLTIGER'S LAST STAND". Soon there are cats all over the place, including the auditorium, gathering for the Jellicle Ball during which one cat will be selected by the Jellicle Leader and allotted an extra precious life. User: Dubovyk left a new interpretation to the line Ну ж бо - тримаймо стрiй! Daylight, I must wait for the sunrise. His ineffable, effable, effanineffable.
María Eugenia Cotera, Modern Thought Scholar: A lot of times, anthropologists didn't actually even visit the places that they were writing about, or know the people that they were writing about. They didn't know what to do with Zora, and I think it was a level of gatekeeping. Half of a yellow sun streaming vostfr 2017. Am keeping close tab on expressions of double meaning too, also compiling lists of double words. I am knee deep in it with a long way to go. She ought not to be allowed to rest. She's talking about Black culture, not just in the United States, but in the Caribbean, as well. Zora (VO): That hour began my wanderings.
Narrator: Hurston's father soon remarried and sent the shattered young teenager to join two siblings at Florida Baptist Academy in Jacksonville. I have wanted to write you but a promise was exacted of me that I would write no one. A Raisin in the Sun(1961). Half of a yellow sun streaming vostfr video. I don't want anything but to get at my work with the least possible trouble. I just get in the crowd with the people if they're signing, and I listen as best I can and I start to join in with a phrase or two and then I finally get so I can sing a verse and then I keep on until I learn all the songs, all the verses, then I sing them back to the people until they tell me that I can sing them just like them and then I take part and try it out on different people who already know the song until they are quite satisfied with that I know it and then I carry it in my memory. Often she was working on her own. An aspect of scientific inquiry that's really important is to be detached—and objective. Charles King, Political Scientist: She's playing a drum.
Irma Mcclaurin, Anthropologist: She's very secure in wanting to advance herself, and she will take advantage of any opportunity to do that. Fannie Hurst, one of the nation's most successful writers, sought out Hurston after the event to hire her as personal secretary. Langston Hughes, the promising twenty-four-year-old writer from Missouri won the first prize in poetry, but that evening Hurston won the most prizes—two second place awards and two honorable mentions. Eve Dunbar, Literary Scholar: That doesn't mean whatever relationship they had was inauthentic, but I don't think that the Academy imagined Hurston as ever being part of the knowledge it produced, or a knowledge producer in her own sake. And while they're doing that, they have a chant. Dear Langston, In every town I hold one or two story-telling contests, and at each I begin by telling them who you are and all, then I read poems from "Fine Clothes. " In return, they told her stories, sang work songs and played blues riffs on the guitar. Narrator: For Tell My Horse: Voodoo and Life in Haiti and Jamaica, published the next year, Hurston drew on the material she had collected during her back-to-back Guggenheim fellowships. Narrator: Despite her publisher's robust promotional campaign and rave reviews in national publications, Their Eyes Were Watching God did not sell well. Amidst her travels Hurston had been collecting love letters for a book she wanted to write about Black love which she hid from Mason. And then the boss hollers "bring on the hammer gang" and they start to spike it down. A Raisin in the Sun streaming: where to watch online. Narrator: Despite the show's promising reviews, no producer picked it up. Narrator: For more than ten years Hurston had skirted danger traveling alone across the American South and Caribbean, documenting rural Black peoples' lives and collecting their stories.
We might not land on the sun, but at least we would get off the ground. Lee D. Baker, Anthropologist: She was using this contemporary poetry that was written up in New York, bringing it down south and then the the southern folkloric tradition would take it, turn it up on its head and make it anew, and so she was documenting how folklore and culture was actually being created in front of her eyes. Irma McClaurin, Anthropologist: She's also depicting the ways in which people interact. She couldn't have drawn more attention to herself at a time when one of the only ways for her to be safe is to fly underneath the radar. Half of a yellow sun film review. Narrator: In 1931 with Mason's continued support, Hurston finished a book-length manuscript based on the interviews she had conducted three years before with Cudjo Lewis. Lee D. Baker, Anthropologist: Mules and Men was science informed by fiction, and Their Eyes Were Watching God was fiction informed by science because there's very little distinction between the signifying happening on Joe Stark's porch and Joe Clarke's porch. Hurston was collecting folklore to demonstrate the legitimacy and the sophistication of Black vernacular, Black folk life, of African American rural culture. A quality film doesn't have to have a big budget to be great. Carla Kaplan, Literary Scholar: She's somebody who succeeded against all the odds and whose life was marred by lack of resources, who could have done five times as much if she had had the financial wherewithal she so richly deserved. María Eugenia Cotera, Modern Thought Scholar: People are invested in saying she was a Black anthropologist, but another part of me wants to disinvite anthropology from her recuperation because there were so many moments when folks work behind the scenes not to support her, and so that is very painful. Hurston (Archival VO singing): Blue bird, blue bird through my window.
She, uh, wanted to see what was going on at the store. What surely did not foster African American support were negative reviews from Hurston's Black male contemporaries. Zora (VO): I went outside to join the woofers, since I seemed to have no standing among the dancers. They were hot behind me in Jacksonville and they wanted me in Miami. What Zora wants to do is create what I call an independent Ph. Lee D. Baker, Anthropologist: She wanted a much more comprehensive and much more scientific sort of tone, including a lot of religion, and the children's games, and sort of almost an encyclopedia. That is not for me to know. It becomes an opportunity for her to tell what she feels to be a more authentic story of that Black experience.
The book featured seven of Hurston's ethnographic writings. Charles King, Political Scientist: Throughout her entire life, the powerful people around her consistently thought of her as being an outsider, less than talented—a marginal figure. Narrator: With over 300 guests in attendance, the event was a who's who of the Harlem Renaissance—progressive New Yorkers, Black and white, from the worlds of literature, arts, education and philanthropy. Charles King, Political Scientist: Hurston is an early practitioner of what would later come to be called native anthropology.
They are a reflection of cultural life. Zora (VO): Folk-lore is not as easy to collect as it sounds. Lee D. Baker, Anthropologist: Dust Tracks on a Road is highly edited. For Hurston, you had to jump off the high dive. Lee D. Baker, Anthropologist: Even as liberal, and as important and empowering as Franz Boas and, and some of the professors were, there was still some implicit bias that there was not equality of intellectual engagement, if you will. Irma Mcclaurin, Anthropologist: She is what my mother would call a "fly in the buttermilk" at Barnard.
It would have been easy. I have about enough for a good volume of stories. The revisions resulted in Hurston weaving the folklore stories into a first-person narrative. Her book Mules and Men would soon be published. Ah shack-er-lack-er-lack-er-lack-er-lack-er-lack-er-lack! Mama died at sundown and changed a world. Work all day for money, fight all night for love.
Tiffany Ruby Patterson, Historian: That she succeeded is a testament to her resilience, her willingness to do whatever she had to do to get her work done. Carla Kaplan, Literary Scholar: She does not yet have the academic credentials that are considered appropriate for Guggenheim. Carla Kaplan, Literary Scholar: She was running up incredible debt. Though she never stopped writing articles, reviews and opinion pieces—she would get by working at a variety of jobs—sometimes as a teacher, librarian, and journalist.
Zora (VO): It is a contradiction in terms to scream race pride and equality while at the same time spurning Negro teachers and self-association. And Charlotte Osgood Mason could not be controlled by Zora Neale Hurston. Zora (VO): [T]he Negro is a very original being. Carla Kaplan, Literary Scholar: Most of the great artists of the Harlem Renaissance had their money in Black fiction. Narrator: Six days after signing with Mason, Hurston boarded a train heading to Alabama with a guarantee of 200 dollars a month, money to purchase a car, and a plan for year long fieldwork in the South. Like, we're not going to do this, because I've been there before. Man (Archival VO): How do you learn most of your songs? Irma McClaurin, Anthropologist: There were theories that the head sizes of different so-called races is something that was going to be able to tell us more about the level of intelligence, what kind of culture they had. She had lots of money. Participant observation required that you kind of immerse yourself in another culture in order to understand it from the inside out. "Working like a slave and liking it, " she wrote a friend in Florida. I realize that this is going to call for rigorous routine and discipline which everybody seems to feel that I need. Her arrival was met with a blur of invitations to dinners and speaking engagements.