At 8 p. m., Bowery Ballroom, 6 Delancey Street, near the Bowery, Lower East Side, (212)533-2111; $18 in advance, $20 at the door. Charles Laughton once again teams up with Korda for this moving, elegantly shot biopic about the Dutch painter. NYFF60 Currents features are sponsored by: Currents Opening Night · U. TOM BURCKHARDT: 'FULL STOP' A painter of eclectically layered abstractions has produced a surprising environmental installation: a slightly old-fashioned, fully equipped painter's studio made of brown corrugated cardboard and black paint. Prey for the devil showtimes near clinton 8 theatre showtimes. Guitry himself stars as the tricheur looking back fondly on a life of crime, which he narrates with an effervescence matched by that of the film's skillful editing and cinematography. Moore Family Theaters.
Matthew flees the attack on the World Trade Center only to find an impatient wife at home and a group of reporters looking to turn him into a hero. James R. Oestreich). With little exposure to the outside world, the two girls have created a private form of communication that's an amalgam of the distinctive English dialects they hear at home. DIET COKE WOMEN IN JAZZ FESTIVAL (Through Sunday) The monthlong concert series concludes with the Barbara Carroll Trio, with Ken Peplowski on clarinet (tonight and tomorrow); and a pair of bands led by the violinist Karen Briggs and the pianist Lee Ann Ledgerwood (Sunday). This caustic satire reunites the talented team behind the cult classic _Withnail and I_ to create a tour de force of verbal jousting and physical comedy. World Premiere · Q&As with Chinonye Chukwu and Danielle Deadwyler on Oct. 1 (joined by Whoopi Goldberg) & on Oct. Prey for the devil showtimes near clinton 8 theatre festival. 2 (joined by Jalyn Hall, John Douglas Thompson, Jayme Lawson, Tosin Cole, Keith Beauchamp, and Deborah Watts). In _Blue, _ Lena confronts issues of religion, sexuality, and the prison system, while at the same time exploring her own relationships. One of the first and best-loved films of this period in his career is The Bitter Tears of Petra von Kant, which balances a realistic depiction of tormented romance with staging that remains true to the director's roots in experimental theater. The vast information overload the world struggles with -- scientific theory, technological data, geopolitical facts, historical material and on and on -- is whipped into visual cosmologies by eight painters of widely different approaches and sensibilities.
Luis García Berlanga. For nearly five years, acclaimed German filmmaker Werner Herzog desperately tried to complete one of the most ambitious and difficult films of his career, Fitzcarraldo, the story of one man's attempt to build an opera house deep in the Amazon jungle. It is now 1968, and the mischievous and perpetually love-struck Doinel has been dishonorably discharged from the army and released onto the streets of Paris, where he embarks on a series of misadventures. Something of a late-career companion to 8½, Federico Fellini's penultimate film is a similarly self-reflexive (and self-deprecating) journey through both the director's dream life and his cinematic world—which are, here as always in Fellini's work, inextricably entwined. This weekend's film, to be screened at noon today, tomorrow and Sunday, is "The Soft Skin" (1964), about a married man having an affair with a flight attendant. INGRID JENSEN QUINTET (Tonight and tomorrow) A fiery trumpeter with a book of smart original compositions, Ms. Jensen gets frontline support here from the adventurous tenor saxophonist George Garzone. Prey for the devil showtimes near clinton 8 théâtre national. Based on the classic Emile Zola novel, Jean Renoir's _La bête humaine_, a suspenseful journey into the tormented psyche of a workingman, was one of the director's greatest popular successes—and earned star Jean Gabin a permanent place in the hearts of his countrymen. LAURA BATTLE Mathematically patterned spots and dots combine with fields of loose painterly abstraction in Ms. Battle's cosmically suggestive paintings and watercolors. A triumph at the 2020 Berlin International Film Festival, the revelatory debut feature from codirectors (and twin brothers) Arie and Chuko Esiri is a heartrending and hopeful portrait of everyday human endurance in Lagos, Nigeria. Commissioned to make a working-class family drama, up-and-coming director Rainer Werner Fassbinder took the assignment and ran, upending expectations by depicting social realities in West Germany from a critical—yet far from cynical—perspective. Melvin Van Peebles's edgy, angsty, romantic first feature could never have been made in America. The pianist Nurit Tilles accompanies throughout. North American Premiere of New 4K Restoration.
Pietro Germi's _Seduced and Abandoned_ was the follow-up to his sensation _Divorce Italian Style_, and in many ways it's even more audacious. A woman leaves her unfulfilling marriage and embarks on a search for ideal love—but neither a passionate affair with a younger man nor the return of an old romance can provide the answer she seeks. Kati Outinen is memorably impenetrable as Iris, whose grinding days as a cog in a factory wheel, and nights as a neglected daughter living with her parents, ultimately send her over the edge. As identities and their representations morph and blur, this is not always a comfortable activity, but it is often an exhilarating one (1:30). Jimi Plays Monterey_ and _Shake! Q&A with Sarah Polley, Claire Foy, Rooney Mara, Judith Ivey, and Sheila McCarthy on Oct. 10. On the menu are five dates in five restaurants, put to music in five different styles, including operetta and country western (1:30). The defeated gang members pay a hotheaded ronin to take out the masseur; unbeknownst to them, the hired assassin is married to a former flame of Zatoichi's, further complicating matters. Jean-Luc Godard and Jean-Pierre Gorin.
Purchase A Ticket For A Chance To Win A Trip. Like the Ferris wheel that serves as the setting for one of its climactic scenes, "El Crimen Perfecto" is a bright, gaudy and tremendously satisfying ride. AMC CLASSIC Sunnyland 10. When the easygoing would-be novelist Zorg (Jean-Hugues Anglade) meets the tempestuous Betty (Béatrice Dalle, in a magnetic breakout performance) in a sunbaked French beach town, it's the beginning of a whirlwind love affair that sees the pair turn their backs on conventional society in favor of the hedonistic pursuit of freedom, adventure, and carnal pleasure. 'THUMBSUCKER' (R, 96 minutes) A better-than-usual coming-of-age story, via Sundance but without the usual sensationalism or condescension, and with some very fine performances, notably by Lou Pucci as a teenage boy with a childish habit. Apichatpong Weerasethakul. THE KILLERS, BRITISH SEA POWER (Tonight) Maybe it's their Las Vegas roots, maybe it's the singer Brendan Flowers's glam goof charisma or maybe it's their nostalgic preference for 80's MTV. East 13th Street Theater, 136 East 13th Street, East Village, (212)279-4200. On Sunday, the bill includes Oasis, Jet, the Doves, the Lemonheads and Kasabian. Second Stage Theater, 307 West 43rd Street, Clinton, (212)246-4422. She is, in fact, what "Dedication" is all about, or intends to be, anyway. Two old friends reunite for a quietly revelatory overnight camping trip in this breakout feature from Kelly Reichardt, a microbudget study of character and masculinity that introduced many viewers to one of contemporary American cinema's most independent artists. 'ORSON'S SHADOW' Austin Pendleton's play, about a 1960 production of Ionesco's "Rhinoceros, " which was directed by Orson Welles and starred Laurence Olivier, is a sharp-witted but tenderhearted backstage comedy about the thin skins, inflamed nerves and rampaging egos that are the customary side effects when sensitivity meets success (2:00). Based on Mr. Leight's own experience as a teacher of English in China before he established a career as a playwright (the Tony-winning "Side Man"), the play is slight but appealing (2:00).
Join the gang in March to watch absurdity unfold in a sketch comedy adventure that will tickle you to your core. Exquisite and economical, Yasujiro Ozu's film alternates between brilliantly mounted comic sequences and heartrending working-class realities. Redgrave portrays Andrew Crocker-Harris, an embittered, middle-aged schoolmaster who begins to feel that his life has been a failure. Sol Lewitt and Alexander Calder meet striped bikinis and rubber chickens. Deitch, 76 Grand Street, SoHo, (212)343-7300, through Oct. (Johnson). Special benefit show for the theater. Benjamin Christensen's legendary silent film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered from the same hysteria as turn-of-the-twentieth-century psychiatric patients. BRASS BAND BENEFIT FOR NEW ORLEANS (Sunday) A group of brass bands, including McCollough Sons of Thunder, the Hungry March Band, Jambalaya Brass Band, Slavic Soul Party!, Zlatne Uste Balkan Brass Band and Frank London's Klezmer Brass Allstars, convene for this Hurricane Katrina benefit show, with a theme of music from New Orleans, the birthplace of the form. One of the most searing romances of the 1990s, Wong Kar Wai's emotionally raw, lushly stylized portrait of a relationship in breakdown casts Hong Kong superstars Tony Leung and Leslie Cheung as a couple traveling through Argentina and locked in a turbulent cycle of infatuation and destructive jealousy as they break up, make up, and fall apart again and again. King's Blues Club and Grill, 243 West 42nd Street, Manhattan, (212)997-4144; $22 in advance, $25 at the door. In order to enable his blind wife (Jeanne Moreau) to see, Dr. Farber (Max von Sydow) invents a process that makes it possible to transmit the images recorded in the brains of sighted people directly into the visual systems of blind people. DAVID GRAY (Wednesday) Mr. Gray's voice has a sharp, nervous quaver that keeps him sounding frayed and unpretty. New York Theater Workshop, 79 East Fourth Street, East Village, (212)239-6200. Agnès Varda's tender evocation of the childhood of her husband, Jacques Demy—a dream project of his that she realized when he became too ill to direct the film himself—is a wonder-filled portrait of the artist as a young man and an enchanting ode to the magic of cinema.
And this extraordinary journey to India, originally shown as a miniseries on European television, is infused with his sense of discovery, as well as occasional outrage, intrigue, and joy. 'JUST LIKE HEAVEN' (PG-13, 95 minutes) Reese Witherspoon's disembodied spirit haunts Mark Ruffalo in a real estate dispute that runs into a sweet romantic comedy. 'LATE FRAGMENT' Opens tomorrow. In this prequel to his groundbreaking 1990s television series, David Lynch resurrects the teenager found wrapped in plastic at the beginning of the show, following her through the last week of her life and teasing out the enigmas that surround her murder. Susanne (Eva Dahlbeck), head of a modeling agency, takes her protégée Doris (Harriet Andersson) to a fashion show in Gothenburg, where Susanne makes contact with a former lover, and Doris finds herself pursued by a married dignitary (Gunnar Björnstrand). Ukrainian animators rebuilt their industry after the second world war and made Kievnauchfilm one of the most distinguished animation studios in the world. 7 p. m., Hammerstein Ballroom, 311 West 34th Street, Manhattan, (212)279-7740; $42. A rival establishment moves to pay those debts and free the peasants, but this second house's seemingly altruistic boss is actually laying the groundwork for a ruthless money-grabbing scheme. Kazuo Hara's interest in iconoclastic figures living in opposition to mainstream society led him to begin work on A Dedicated Life, an intimate, fly-on-the-wall portrait of the controversial writer Mitsuharu Inoue, a sometimes charming, sometimes combative, often frustrating novelist esteemed as one of postwar Japan's literary lions. Panel discussions that connect the festival to the themes of the moment. With an 11:30 p. set Fridays and Saturdays and an 8:45 p. start for the early show on Saturday), Iridium, 1650 Broadway, at 51st Street, (212)582-2121; cover, $27. In the first of Rohmer's "Moral Tales, " a law student (Barbet Schroeder) with a roving eye and a large appetite stuffs himself full of sugar cookies and pastries daily in order to garner the attentions of the pretty brunette who works in a quaint Paris bakery. SOME LIKE IT WILDER: THE COMPLETE BILLY WILDER (Through Nov. 13) The Museum of the Moving Image is sponsoring a 26-film retrospective of Wilder, the Austrian-born director and writer who gave the world "Sunset Boulevard" and "Double Indemnity. " Surprisingly lighthearted and brisk, considering its fairly morbid premise.
BILL MOBLEY'S MOB SCENE (Tuesday) This ensemble, led by Mr. Mobley, a trumpeter, cuts a clear path through the modern mainstream; as on the recent album "Singularity" (Blue Geodesics), Danny Walsh is the co-pilot on alto and tenor saxophones. Mikio Naruse's final silent film is a gloriously rich portrait of a waitress, Sugiko, whose life, despite a host of male admirers and even some intrigued movie talent scouts, ends up taking a suffocatingly domestic turn after a wealthy businessman accidentally hits her with his car. Furthermore, Shu-Ying Lee, who was magnificent in the title role when the Dicapo Opera presented all three versions of the opera last year, has taken it over here. Yet the result is nearly unclassifiable. Among the most influential films of the postwar era, Roberto Rossellini's Journey to Italy (Viaggio in Italia) charts the declining marriage of a couple from England (Ingrid Bergman and George Sanders) on a trip in the countryside near Naples.
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