Since Sherwin had the connections and knew how to get in touch with the stars, he went to work and got such superstars as Hank Williams, Jr., Ernest Tubb, and Ray Price to appear at the club. It will feature some old Schiek's liquor and wine lables, found unused in a storeroom before the old place was torn down. It's from New Year's Eve, 1935, but curiously doesn't give the name of the place, just the address.
A wet T-shirt contest. Now there is the CR 77 bridge that crosses over the original site of the place. "I do not believe — and there's no way anybody can ever convince me — that every cop is a bad cop. On August 4, 1939, she married Claire Lucas, another fringe criminal. Dayton's Southdale Auditorium, 2 pm. When viewed through a modern trauma-informed perspective, the consequences of forced closures of The Booker T and other Rondo community assets looms heavy on the misfortunes of Booker T. and Rudy Ellis in the years that followed. BIG SUNDAY NIGHT DANCE, April 28, 1935, featuring Frank Hines and His Rhythm Venders.
I apologize for the quality of the photos on this page, but they were probably scanned from yellowed copies of very old papers, and my photoshopping skills are limited! By February 1888 the theater was deep in debt and its lawyer was facing jail for operating without a license. NOTE: This page does not include the predecessor to the Ballroom at Excelsior Amusement Park; that information is on the Danceland page. In July 1935 it was a restaurant owned by Hyman Polski of St. June 14, 1958: Sat – Big Stoop Chamberlain – Adult. A janitor at Mousey's was killed in the fire. More acrobats followed. Culbertson's was apparently a hip place to hang out in 1965. 10th Street, and a much humbler project. The waiter got a sentence of $100 or 10 days. Country rock was the music of the day in 1980, and the dance floor was described as tiny. The Urban Coalition and Human Rights Department probes both found that the inequality faced by black St. Paulites in education, employment and housing had for years been ignored by the city. Taika dances barefooted.
Here's a photo of us as we left work on New Year's Eve, 1964. The Crew Cuts came to the Prom Ballroom on Saturday, March 2, 1957. The county's tax database says that it was built in 1900, and there is plenty of evidence that it was once known as Olson's Hall. A cordial invitation is extended one and all. Prominent members of the Minneapolis baseball team. Big Reggie promoted other shows, notably the Beatles' appearance at Met Stadium in 1965. The first performers at Augie's were Leon Abbey's Entertaining Boys (his four piece orchestra) and singer Jeanne Bargy, daughter of orchestra leader Roy Bargy. The Backstage featured "Tuesday Nights Live" and remote spots on WDGY, then a Country station. Meyers died on December 6, 1970. Kevin Odegard remembers this about Spirit: This was the first of two performances by this phenomenal band at the Labor Temple in 1969. The rest of the Trio consisted of Clyde Anderson on bass, and Richard Lavay on drums. Teska decided that a coffeehouse would act as place where a sense of community and power could grow and serve as an organizational base in the fight to save the neighborhood from urban renewal. Regardless, Allan was the sole shareholder of the Committee, as he had been since 1975. By the Fall of 1934 it was called the Aragon Ballroom, and remained so until at least New Year's Eve 1935.
The ad below is undated but was probably from a magazine for visitors from 1967. A search through the newspapers yielded conflicting information: - June 1880: Dyer & Howard was an early music store that sold sheet music, pianos and organs, and small musical instruments. Irv Williams on sax and Ira Pettiford (that's a typo on the ad) on bass. The following is the schedule of national performers at the 1972 Young America Center: Brave New Workshop (Satirical Revue every day). The group's repertoire included a number of styles and eras of music, including reels, blues, cha-chas, and country. The names on the original license were: - Frank M. Connor. Another gave the re-opening date as October 4, 1974. Mike Waggoner's music was described as "Swing" in an ad for their show on November 4, 1961, MC'd by Bill Diehl. The whole thing was demolished at the end of 1962 – it was described as a 36′ x 85′ x 20′ frame building.
The following are snapshots of the Grassroots, taken by Luise Barton. Roger McGuinn performed at Duff's on April 2, 1984. It had been vacant ever since. Some of the national acts that appeared at Doc Holliday's included: - Dr. Hook, with Willie and the Bumblebees, November 16 and 17, 1976.
Seventh Street in Downtown Minneapolis: - The Golden Pheasant. It was modeled after the Nomad on Brady Street in Milwaukee, run by his friend Mike Eitel. Well, Grizzly was on time, opening at 7 pm, but there was no sign of Savoy Brown, and poor Allan Fingerhut was wishing cell phones would hurry up and be invented. It had a large audience from the nearby Minneapolis Art School, but was unable to continue Sunday jazz. Jr. Walker: Week of June 8, 1966. An ad in the Republican Register dated October 1940, tells us that the Bottle Inn's proprietor was Carl Miller, and that it had "Dancing Every Nite. " The Booker T Cafe, sometimes seen as the Booker T Tavern, was located at 381 Rondo Ave. at Western Ave. The Ray Charles Orchestra made an appearance on January 16, 1958, announced the St. Paul Recorder. In 1944 you could dance to Bud Strawn's Orchestra every Saturday night, and if you were in the service you could get in free of charge. Les Hite and his orchestra presented stars such as Oscar Bradley, the world's fasted drummer; Qudy Martin, ace tenor and clarinetist; Smokey Joe, second only to Jimmie Rushing; and Hite's famous Swinging Glee Club. Personnel included: - Marvin Dahlgren, drummer and percussionist with the Minneapolis Symphony Orchestra. Much of his material came from his upcoming album, "Unrequited. At this point it appears that both venues were just restaurants, although the Nicollet location had a bar- Mattie was the first black woman in Minneapolis to hold a liquor license.
He asked Sheehan to put a similar act together, and the new ensemble, named the Golden Strings, opened in the Flame Room on February 16, 1963. The hall was used extensively by the community, as it was the largest in Hopkins. It was a two-story wood frame structure, owned by Henry Hoffman. 3080 EXCELSIOR BLVD. Sweet nostalgia destroyed in a few, scorching hours.
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