Ray, Nicholas, "Story into Script, " in Sight and Sound (London), Autumn 1956. Files on the film in the Warner Bros. Archive at the USC Cinema-Television Library contain several script versions of that incarnation of the story, all of which were titled Rebel Without a Cause: a February 1946 treatment by Jacques Le Mareschal based on Lindner's book; a June 1946 first draft by Theodor Seuss Geisel (known later as children's book author Dr. Seuss); an April 1947 screenplay by Peter Viertel; and a May 1949 screenplay credited to H. L. Fishel and Lindner. But when the police notice that Plato still has the gun they shoot Plato down as he charges them, unaware that Jim had removed the bullets. Afterward, the frightened Plato finds his mother's gun and goes out to warn Jim, and eventually finds Jim and Judy at the mansion. Bean, Robin, "Dean—10 Years After, " in Films and Filming (London), October 1965. " Marietta Canty as the Crawford family maid. In February 1946, a Hollywood Reporter news item reported that Warner Bros. purchased the screen rights to Rebel Without a Cause: The Hypnoanalysis of a Criminal Psychopath (New York, 1944), Dr. Robert M. Lindner's true case history of a young inmate in a Pennsylvania penitentiary. The reactionary film is considered Hollywood's best 50's film of rebellious and restless youth (and sex, drugs, and rock 'n' roll) that spawned many other lesser teen exploitation films in its wake. This page uses content from the English Wikipedia. When James Dean, Natalie Wood, Sal Mineo, and director Nicholas Ray converged, each was at a crucial point in their career. Nicholas Ray finally cast Natalie Wood after he picked her and Dennis Hopper up from a Van Nuys police station after an automobile accident.
Ray caught both the immediate and timeless qualities of frustrated adolescence. Bíró, G., in Filmkultura (Budapest), January-February 1982. Cole, Clayton, "The Dean Myth, " in Films and Filming (London), January 1957. Biskind, Peter, "Rebel without a Cause: Nicholas Ray in the Fifties, " in Film Quarterly (Berkeley), Fall 1974. Most reviewers mourned Dean's death, as did Variety, which expressed "genuine artistic regret, for here was a talent which might have touched the heights. "Portrait de l'acteur en jeune homme, " in Cahiers du Cinéma (Paris), no. Entering the mansion, they torment Plato, who awakens thinking Jim and Judy deserted him.
In the Cinemascope features he developed an aesthetic of the horizontal which, particularly in Rebel Without a Cause, lent a sensuality to the images of alienation. Happy Days (Entertainment). When the crew began night shooting at the Griffith Park Planetarium in Hollywood, downtown Los Angeles residents saw the bright production lights in the hills and flooded switchboards with reports of raging forest fires. Edward Platt as Inspector Ray Fremick. Grob, Norbert, and Manuela Reichart, Ray, Berlin, 1989. Thomson, D., in Take One (Montreal), no. See the results below. Modern sources state that Ray's first choice for screenwriter, Clifford Odets, was unavailable.
This pattern, of a family blaming teenagers for its own problems, was a theme repeated in the character of Judy (Natalie Wood), whose blossoming sexuality drives a wedge between her and her formerly doting. Rebel Without a Cause presented troubled youths that could have lived right next door to Ozzie and Harriet. Why REBEL WITHOUT A CAUSE is Essential. At home, Jim ambiguously asks his father for advice about defending one's honor in a dangerous situation, but Frank advises him against confrontation of any kind. Red flower Crossword Clue. Roya Nikkhah (2009-06-21). Plato warns Jim about their intention and points out an abandoned mansion in the nearby hills, where they can escape. Rebel Without a Cause gave birth to a whole movie subgenre- the juvenile delinquent film, which includes such colorful titles as Teenage Doll(1957), T-Bird Gang (1959), High School Confidential (1958), and even I Was a Teenage Werewolf (1957), in which an angst-ridden Michael Landon seeks help for his uncontrollable anger through hypnotherapy, unwittingly unleashing the beast within. You can use the search functionality on the right sidebar to search for another crossword clue and the answer will be shown right away. Some of the actresses considered for the roles of either Judy's or Plato's mothers were Ruth Hussey, Maureen Stapleton, Jeanette Nolan, Barbara Billingsley and Adele Jergens. The film marked Wood's first adult role, and one for which she was nominated for an Academy Award for Best Supporting Actress, losing to Jo Van Fleet in East of Eden.
Later, Jim tells his parents what happened and reminds his dad about their conversation regarding "a matter of honor. " His work has appeared in numerous publications including Harper's Bazaar and Rolling Stone. His father also explains background about their family and their parenting - they have moved there as a result of their son's troubled behavior: Their love is smothering and artificial. Another extremely troubled teenager, John "Plato" Crawford (Sal Mineo), who has been brought to the station by his ultimately powerless black housekeeper-nanny (Marietta Canty), is offered Jim's dark brown jacket to keep warm, but refuses it (a foreshadowing of a different response in a similar scene in the film's climax. ) —Jim begins to realize that perhaps responsibility for his life rests within himself.
The actors especially were grappling with fame, burgeoning sexuality, and reckless behavior. 296, 669, 475 stock photos, 360° panoramic images, vectors and videos. Warner Bros., 1955) Black-handled switchblade manufactured in Italy by Astor. Cast: James dean (Jim), Jim Backus (Dad), Ann Doran (Mom), Virginia Brissac (Grandmother), Natalie Wood (Judy), William Hopper (Judy's Dad), Rochelle Hudson (Judy's Mother), Corey Allen (Buzz), Sal Mineo (Plato), Dennis Hopper (Goon), Nick Adams (Moose). Lilley, Jessie, "Night Rebel: Jack Grinnage, " in Scarlet Street (Glen Rock, New Jersey), no. Late one night, in a well-to-do part of Los Angeles, police find teenager Jim Stark sprawled drunk on the sidewalk, playing with a toy monkey. Judy tells a very patient, sympathetic juvenile-offenders officer, Ray Fremick (Edward C. Platt), the only truly responsible adult figure (father figure) in the film, that she is experiencing problems with her father who has withdrawn his physical affections and love now that she is older and wears lipstick.
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