The melody in the following excerpt is comprised of::24. Title of Research: Hearing Double. Guido d'Arezzo wrote The Fundamentals of Music, a very important medieval treatise (essay). Listen to the following excerpt from benjamin brittens tunbridge wells. Having its origins in literature, the Sturm und Drang aimed to represent an artistic struggle showing the depths and extremes of the human experience, working most often in contradiction with the mainstream Enlightenment ideology of the time, which was founded and based on man's ability to reason. The smooth melodic lines and unstressed rhythm. Especially on this instrument, a more reflected use is desirable. He has been teaching modern trombone at the Royal Conservatoire since 2006.
The current research aims at pointing at a number of such models. Paulina is interested in the history of. Information, the state of double bass playing in the mid-nineteenth century. After discussing two further projects in which I acted as a mediator between composers and singers, I found my initial suspicions to be true: many composers do not receive enough education in composing for the voice, meaning that they do not respect its physical limitations, they often misjudge the combination of ranges, dynamics and colors possible, and they believe that any singer can reproduce any sound (regardless of culture, style, or tradition). This paper can be an introduction to composers who have not yet. Creating an immersive performance is difficult. On the other hand, they tried to maintain the polyphonic texture clear, letting instruments with a very different timbre play in a mixed choir, or mixed consort. The end of the 17th and the beginning of the 18th century in France was a "golden age" for traverso marked by an intense interaction between French and Italian style. Model to test in a real life situation. The following choral work, based on the German Bible, was written by: 7:11. Which of the following excerpts ends with a cadential point that brings the phrase to a resting point? Throughout of the 18th century there were many attempts in Spain to modernize the society, the economy and of course the culture, trying to get a closer position to the leading nations of that time. Written in even greater detail concerning articulation, are the treatises for wind instruments. PDF) LISTENING TO WESTERN MUSIC | youlan wu - Academia.edu. Adrianna van Leeuwen-Steghaus, is a Canadian clarinettist specialising in historical instrument performance.
It is outcome-based and not medium-based. To answer this question I have been studying the method "The bass in tango" published by Tango sin fin, that approaches all of the elements from the perspective of the French bow. Listen carefully to the following example: The instrument you just heard is called::15. Second, it describes the results of a questionnaire held amongst the visitors of those vespers. The term étude refers to pieces that are used to teach a particular technical skill to performers. Linguistic concepts of sense, structure, style, and delivery (acting) are likened to analogous concepts in galant music and supported with statements from musical treatises and examples from musical works. Listen to the following excerpt from benjamin brittens lawyers. Music that allows for an element of chance to enter the performance. The subsequent focus was on these difficulties and I made technical, rhythmic and also mental exercises to help improve the interpretation in a simple way. A piece for solo instrument or a small group of instruments. Besides a deep musical analysis of these three works, the main body of my research has dealt with the developing style which is commonly associated with this music, that of Empfindsamkeit or Empfindsamer Stil. The rhythm may be described as having a::13. To be melodramatic: Writing a text to music according to the melodramatic tradition.
She began her piano studies at the age of nine. Main Subject: Traverso Research Coach: Bart van Oort. One issue that is recently placed on the agenda of lutenists is the plucking technique applied on lutes. All the original sounds have been distributed in its corresponding drums and the composition has been transcribed to be played by four percussionists. She played with Asko|Schönberg, Ensemble Klang, Rosa Ensemble, Residentie Orkest and Nieuwe Philharmonie Utrecht and is a member of the young, The Hague based ensemble Kluster5. The harmonium and the accordion are two similar instruments working via the same core principles: free-reeds and bellows. In this exposition, I have created a narrative that brings together the art, music, and poetry of the 19th and early 20th centuries. Through the analysis of the history of fingerings on various double basses documented in historical methods, I can find the pattern of fingering that is often related to the tuning intervals of the instrument. For Memorial Day, A Requiem from our own Ben Luxon. Ryuko Reid is a baroque violinist specialising in historically informed performance practice and is the artist director and leader of Amsterdam Corelli Collective. The Limits of Traverso; Exploring the sound possibilities of traverso through contemporary music. With a detailed analysis of the interactions between students and teacher and the help of 36 observation sheets, I could finally see the effects of enhancing visuals on student's musical learning. Many composers in the contemporary period sought alternatives to tonality, or key-centered music. At the same time, so-called 'extended techniques 'for the modern flute are explored on the baroque flute, by a study and performance of two contemporary compositions for traverso solo.
Research process: The following questions have guided my research and relationship with the XVII century recorder treatise La Fontegara: Was Ganassi an artistic researcher? Question: How do the Britten Folksong arrangements relate to their traditional counterparts, with an emphasis on text? Discussion on these topics has implications for historically informed performance, especially in regards to the performance of orchestral works. The history and development of the trombone, particularly in Leipzig, between Beethoven's Fifth and Schumann's Rhenish Symphonies, 1808-1851. Here, various metaphors derived from research into the background of the work and its creator were applied, resulting in multiple and differing interpretations—each with its own approach to tone and touch. Although mentioned in all history books about the clarinet, today's scholars have done little research on Josef Beer. Another very important consequence, while a different key is chosen, is the choice for the solo parts in a transcription. The name of the composer pictured above, who wrote more than 600 art songs (lieder), is: Franz Schubert. Research Question: What did musical leadership mean in the 18th century? Listen to the following excerpt from benjamin brittens and john. Accessibility of Music Production Software for the Visually Impaired: A study of developing an eyes-free audio application for a surface haptic interface. Patricia Wisse studied Theology in Leiden, and then Jazz Voice at Codarts Rotterdam. Realizing how much the gap between two different styles, I have only partially understood the half picture of the style. The Roman Catholic Church. This would be an instrument that is perhaps bigger than most baroque cellos and close to a basse de violon or a G-violone.
Research Supervisors: Bert Mooiman, Peter Van Heyghen. That although the performer tried to apply the PbH memorization model to a select. The bassoon in Barcelona in the second half of the XVIIIth century. All of this together answers my initial questions of: Do swinging bass lines rely on a temporal tension between bassist and drummer? A collection of short studies based on selected standard repertoire have been composed as a resource for students who are approaching works that demand the use of the altissimo register. The presentation will be focused on the process of transcription with live music examples enhanced by a PowerPoint presentation. In my presentation I want to show the different perspectives, give practical examples and share my thoughts on a possible way to realise the concept in my teaching practice. Music Appreciation Test: the Baroque Period, Construction and Sound Production, the Romantic Period | FreebookSummary. Important when giving advice is that the person receiving the advice is willing to receive advice and understands on what feedback the advice is based. This important work was never well documented or contextualized from the perspective of electro-acoustic composition.
One player did all those things at the end of the 18th century with the use of his instrument, the clarinet. Thanks to his ability in blending with and supporting the voices and, at the same time, respecting the solemnity and the sobriety of the liturgy, the viola became the best organ replacement. As a case study, I document the process of learning the tenor solo in Louis Andriessen's De Materie, and discuss how my classical training helped me to sing this demanding part even though it is not meant to be sung with a Romantic sound. Examination of mid-nineteenth century double bass playing based on A. Müller and F. C. Franke's discourse in the Neue Zeitschrift für Musik, 1848 – 1851. How can playing with basic elements of classical music help us to enter the music we perform 'from within', to enjoy the creative moment in connection with the repertoire we know so well and love so much, to 'co-compose'… How can (tonal) improvisation be an aid to learn about harmony in a way that experience comes first, using, in this research, the violin as our voice? Title of Research: Adapting Telemann's unaccompanied violin fantasias to the guitar - an investigation of transcriptional methods. In this research my aim has been to create a toolbox of games/exercises that can be used working in the above mentioned way. For the cadenza recordings then visit This paper paper focuses on an opera forgotten today, but popular in its time: Isabella d'Aspeno, a work by the Ionian composer Paolo Carrer and the unknown Italian librettist hidden behind the initials R. G. S. The opera Isabella d'Aspeno opened in April 1855 at the Milanese theatre 'Carcano' and was considered one of the grands succès of the year, a fact confirmed by the numerous repetitions of the production during that year and the next. The works to which these connections are made, form the "Outside World". After finishing her Bachelor Degree in Zaragoza, Spain, she continued her studies by pursuing a Master's Degree at the Koninklijk Conservatorium in Den Haag with David Kuyken. The concertos and the quartet are excellent training pieces for clarinet students, showing formal characteristics of the period.
What do I perform in the open space between between the songs - my self(s)? This research hopes that the findings bring about more awareness, acts as a source of information, and encourage more open discussions on the way musicians practice and perform, as more attention could be given to this in the way we shape music education. Wolfgang Amadeus Mozart. Recently, he both prepared the edition and performed in Michael Chance's production of Cavalli's Giasone, and upcoming projects include Handel's Dixit Dominus with Holland Baroque and Cappella Amsterdam.
Furthermore I examined the influence of the technological developments that the computer, smartphones, tablets and the internet have to offer. With several ensembles, she performed different baroques styles (Italian, German, English and French) of different periods (17th and 18th centuries) either secular or sacred. For me it was something like weight lifting training with the motto "No Pain, No Gain". The following musical excerpt is from a recitative (25). Title of Research: Squalid and Obscure: Timbral Word Painting at the Arpa Doppia. In my lesson practice students rarely come in as active-, self-directing autonomous learners. Clearly, studying these elements while working closely with singers would be one solution, as would choosing a more performer-centric notational system including expression markings and other indications that invite singers to find the intention or subtext behind the music—all of which can help the singer's instrument work more effectively. The ability to distinguish French long and short syllables was important because ornamentation could only be applied mostly to long syllables. Pauls Pokratnieks is jazz and other improvised music style drummer and composer.
Master Research exposition by Remy Dielemans. Several of the greatest performers have recorded it achieving impressive results. Excerpt B. Farinelli was a famous: castrato.
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