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Johannes inherits the already emotionally laden "Guilt Trip" and extends the emotive trip while arranging it into an elegant warm-up-affair. With Frank Lucas being placed in some wooden hut in the outback of the Golden Triangle, dealing the deal of his life, sharply calculating within a mind clouding climate. Could it be, someone secretly recorded parts of the internal pre-release labelmeeting? He's letting go of anything redundant like all too distracting rhythmic elements and therefore opens space for an OM-like, bass-deep interplay of synth-notes and meditational sounds in the background. The beat of "Trilogy" is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. And you're making all the promises that. Together with WestBam released a single called "Music Is The Key (Loveparade 99)". Westbam Store: Official Merch & Vinyl. Meaning even wider room for his charisma breathing croon. While he's at it, Mayer controls a whole lot of scenes on the side. Keinemusik - You Are Safe (Solomun Remix). And Party (Extended Club Mix). Then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season.
A loop that will pluck whole dancefloors into trance-like condition. Not unlike the first chapter, Workparty Two mirrors the status quo within the Keinemusik camp. An enactment of the rather minor gestures, utilised precisely enough to stuff every bold peaktime-jingle-jangle out there in its leatherjacketpockets. Place in the German LP charts and sold over 140 000 times in Germany.
He installed it within his last touring months as one of his most sought after and unsuccessfully shazamed set-highlights. Adam Port - I Never Waer Black. Celebrating ten years of Keinemusik, this EP showcases where the label's at right now. Flawless peaktime fodder, for sure. The flip is tagged with what this symbol of companionship is leaving, once it's used properly. In November 1998 the single "WestBam vs Afrika Bambaataa presents I. F. The drugs i need song. O.
Their interpretation of "Bumper feat. There is no kick necessary to underpin what Nomi's charismatic croon is laying down. The Masters at Work-Treatment saw those vocalparts evolve to a dance-classic, it is safe to say this rework is conferring the utmost honor to the original. A1: "Crime" shortens the distance between reduction and sophisticated soundmodelling on one hand and clear peaktime qualities on the other, far more consistent than any of his previous productions. In mid-1996 he released "Terminator", a clear-cut electronic track that rose quickly to the accustomed popularity in the club scene. This track demonstrates yet again the diversity of Max Lenz's musical talents, and shows that WestBam is by no means a dedicated follower of fashion but a genuinely creative trendsetter. Staccato notes meet a precisely built patchwork of percussion and atmosphere, setting a scenario of anticipation that'll boost its pull as soon as a mighty synth-hook comes into play. Westbam you need the drugs lyrics meaning. There's still enough signature club tunes to get the rave going though, and cuts such as 'The Day I Met You' feat. The Mayday Anthem Remixes. He slips in little sound-anomalies and weirded out effectrides like Brad Pitt smuggled subliminal dick-pics into "Fight Club". Making this a hella versatile record. Safe to say, "Word Is Bond" is Mayers least compromising peaktime arrangement to date. Shout out to them for also helping getting this new version out. It's an effective, never overcomplex array of elements, building the narration of this tune.
You'll need just a few bars of the title track to feel warmly embraced by wistful chords, crackling hihats, sultry field recordings and a thick bass drum. Cold Stomper (Kurzmix). We know what you're thinking. A lot of hissing and chirping and rattling going on in between dense synth- and bass-layers, while live-recorded percussions are escalating into frenzy.
Chances are, this is his most characteristic piece of work to date. Well, Mayer has come to provide a rescue tool with his Sunhole on side A. The mission is obvious: take no prisoners on the floor. Tobi Neumann remix) was released. Understanding Ain't Enough. In her performance (part talk, part interactive show), she will demonstrate that it's in losing fear that we will gain freedom of expression more. Love Parade 1998 (One World One Future). Westbam – You Need The Drugs Lyrics | Lyrics. Effectively it is synth-heaven, layering riffs, melodies and chilly beat patterns on top of each other, building a foundation to be pinnacled by that hook you might not be able to get out of your head for quite a while. And an ardent declaration of love this tune is indeed. Acid Sausage From Salzburgo. "-credo into the clubagenda. Just bigger, with even more combined effort and opportunity to fathom the potential of a wider release-space. Highly arousing, this surge of subbass, about to flood everything redundant out of this tune.
Clubber's Guide To Berlin. Percussive loops that are scooped up within even more banging and clanking – check. The track is growing subtly, in its build-up, but also when it comes to choosing its layout. Strong bass-synths, wistful pads and an overall ruminant vibe make the main ingredients of this floor-meditation that lingers in introspection before it steps up a notch within the last third. This tune is already predestined for the twilight hours of all the next open airs to come. Fridays are for techno: 5+1 new releases out today | Week 1. Consequencespick you up from the sensation guiding you thanks to the fabulous main synth that comes mighty into the song. Right On [Like Ice]. Music by: Klaus Jankuhn and Maximilian Lenz From the Album: Do you believe in the Westworld. Which in case of this "One On One"-EP is a collaborative effort with English singer/songwriter-enigma Fink that's letting musicality rule over functionality. It is the enhancement of everything you used to praise when hearing his work. One of the climaxes of those early years was undoubtedly his performance at the 1988 Olympic Games in Seoul (South Korea) where he gave a German cultural contribution at the invitation of the Goethe Institute.
The Wave-induced retro-sound of "Lover" feat. Undisputed queen of House Music, Honey Dijon, picked "Operator" – originally a rather twisted and awkwardly sounding tune. "Locust" on B comes in with some smoothly looped E-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. You need the drugs. You think, those keinemusik fellas will again be doing their little rotation thing, one producer getting a record out after the other, then a Workparty-joint venture at some point and then it starts all over again.