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Lyrically, though, this is somewhat of an oddity in his catalog, even if he's being ironic. Those that had heard it claimed it was Neil Young's lost classic and that made those that had never heard it even more eager to get their hand on a copy, so much so that it became a sort of badge of honour to have actually heard the album, never mind own it. Please check the box below to regain access to. Who charge ten dollars. Just check out the careful, Harmonica/Fiddle interplay on the final epic lenghty "ambulance blues" with thoughtul lyrics about many a diffrent things. He can't really mean that. With my bus and friends. Melancholy has rarely sounded more beautiful, or more dignified, than it does in On the Beach. But I can′t face them day to day.
Well, all those people, They think. Yet only one of these albums has websites devoted to petitioning for its release. And I felt like getting high…. The quiet, pensive "For the Turnstiles" remains my favourite Neil Young song, with its low, meandering banjo melody and its strange metaphorical lyrics. Post your 5 favorite albums and have people make random assumptions about you Music Polls/Games. And that's the catch, really. He had been hanging out at a friend's house (drinking and smoking, no doubt) a few nights earlier and his friend had put on On the Beach. I remember going down to my garage one night, a bit depressed, with a half-bottle of wine.
I hope you get the connection, 'cause I can't take. Pick an album you feel is overrated and Underrated from the last 5 decades (60's-00's) Music. It is therapeutically human. Good times are comin', I hear it everywhere I go. It's not appropriate for every mood, though. 1973 was a major crossroads in his life. On the Beach Remastered, Downloadable. A smile to your eyes. But Young refused to become cynical; through his career he has shown himself to be one of the most interesting artists remaining of the Golden Age of California sound, a man willing to experiment, to try new things, switch up styles and attitudes, explore the furthest and most resonating reaches of emotion. The fact is that Young knows he is a man who, though blessed with the capacity to learn and imagine, lacks a clear channel to the future, that he is a mere mortal among the herd. If Dylan had spoken to the youthful urge to explore, challenge, and derange the senses in "Mr. Tambourine Man, " Paul Simon sought authenticity against a materialism in "Sounds of Silence, " and Joni Mitchell entreated listeners to embrace all their travels and affairs with an openness that would transform the world.
What I believe we have in Neil Young is one of the worthiest bodies of work any rock singer-songwriter has created over time. Dylan turned to Jesus, Ochs hanged himself in alcoholic depression, the Beatles and Stones seemed distracted and distant from those of us working minimum-wage day jobs to buy their records. Pass this way again? I'm deep inside myself, But I'll get out somehow, And I'll stand before you, And I'll bring. Not only had he been present at Woodstock (and refused to be filmed, due to his increasing suspicion that the revolution had been commercialized), but he'd known Charles Manson personally. Watch out Stephen, here I come. How can he remember. Released 1974 on Reprise. Between Young's cynicisms and commentary on the music scene that he was part of, the album provides a lot for the emotions besides a the simple warmth of good music.
I wrestled with Neil Young's music for many years. For pimps with tailors. I popped it into my car's stereo on the drive home and turned it up loud. I was lyin' in a burned out basement. Dylan said that his Masters of War lyric was the only song where he wished people dead, Revolution Blues was Neil's. No philosophizing, no rationalization, just the blunt admission that he was having a hard time of it, coupled with a coarse imagining of an America without hope or love. Walk on, walk on, Walk on, walk on.
This was in late 2001 or early 2002, and we were all still reeling from the terrorist attacks of that September. And there ain't nothin'. We're checking your browser, please wait...
Raw, ragged, desultory: it's all of the above. The mood remains downbeat with "Vampire Blues, " an extension of the festering resentment addressed in the title song. Nixon (''Ambulance Blues''), global fuel conglomerates (''Vampire Blues''), Manson and the whole West Coast 'me' generation (''Revolution Blues''), the wife (''Motion Pictures''), but most of all himself.