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The Artist of Our Lady (April 2, 2001) (Alma Lopez). Lee, Morgan 'Skimpily Attired "Our Lady" Protested', Albuquerque Journal (March 17) 2001: A1. What Our Lady of Guadalupe wears underneath her mantle. But its subject matter is so much more than the very specific situation that sparked the volume. "Depiction of the Virgin of Guadalupe Stirs Objections" Los Angeles Times, (April 4), 2001. First, it provides a platform for exploring the oeuvre of an important figure in contemporary American art (and specifically Chicana feminist art). Yet nobody says anything about that. Note: This meeting has been rescheduled for April 16th on Monday. For more information: Join the Discussion.
Recommended Citation. Our Lady of Controversy would work quite well in a variety of contexts for undergraduate readers, in particularly Chicana/o studies, art history, women's studies, queer and LGBT studies, and American Studies. "Heaven 2, " displayed outside La Galería de la Raza on 24th Street from November 2000 to January 2001 as part of their ongoing "Digital Mural" project, was defaced by graffiti and generated homophobic threats to La Galería staff and a gunshot through their window. This museum like other museums are sites of learning. 1, © 1999, Alma Lopez.
"That's what we should be ashamed. Alicia Gaspar de Alba and Alma López, eds., Our Lady of Controversy: Alma López's Irreverent Apparition. Moreover, throughout history, artists from Caravaggio to Michelangelo to Leonardo da Vinci to Gustave Dore have been criticized for painting, sculpting and drawing religious subjects with too much of an emphasis on sensuality. In particular, Luz Calvo ("Art Comes for the Archbishop", ) and Clara Román-Odio ("Queering the Sacred") provide astute close readings of López's visual imagery. FOR RELEASE: WEEK OF APRIL 20, 2001. The raw brutality of police officers against protestors at the East L. A. Chicano. Since the so-called "riots" of 1992, Lopez has dedicated herself to art and activism that bridges the city's various ethnic communities. McMahon, M. R. (2011). Review of Our Lady of Controversy: Alma López's Irreverent Apparition by Niamh Nic Chonmara, Hispanic Studies, University College Cork. Xii, 322 p., [8] p. of plates: ill. (some col. ); 24 cm.
This chiasmus methodology serves simultaneously as a queering, or a rendering strange of (hetero)normative, male-centric visual and linguistic discourse. I see Chicanas creating a deep and meaningful connection to this revolutionary cultural female image. It's Not about the Art in the Folk, It's about the Folks in the Art: A Curator's Tale (Tey Marianna Nunn). Central to the collection is the notion of re-visionist art and decolonising colonial images. Reads both "Our Lady" and the controversy through indigenous mythology, untangling the contradictory discourses surrounding Chicana sexuality. Data złożenia artykułu: 2017-04-20 14:23:12.
The book comprises eleven essays which communally investigate the historical, cultural, political, and religious contexts in which the controversy occurred. Lee, Morgan 'Heritage Stirred Into Debate Over "Our Lady"', Albuquerque Journal (April 16) 2001: A1. "I was born in Mexico and raised in Los Angeles, " López says. 0292726422 (paper: alk.
Browse related items. In addition to Lopez, the "Cyber Arte" exhibit -- curated by Chicana curator Tey Marianna Nunn, Ph. This essay closely reads Alma López's digital print, California Fashions Slaves (1997), which depicts Macrina López, the artist's mother and a seamstress, alongside mexicana garment workers within a Los Angeles cityscape. Bibliographic information. You can see the work at her website.
"We all have a right to express ourselves, whether we agree with an image or not, " López says. Gaspar de Alba, A., López A. According to the artist, the idea was to portray the virgin as a strong and nurturing woman very much like the women in the community Alma López grew up in. "She is known to have a large loyal fanatic cult following. Edited by Alicia Gaspar de Alba and Alma López. This digital print, "featur[ing] performance artist Raquel Salinas as an assertive and strong Virgen dressed in roses and cultural activist Raquel Gutiérrez as a nude butterfly angel" led to numerous protests, threats to the artist, curator, and museum, and a maelstrom of sensationalist journalism.
About the Contributors. The archive on this image consists of nearly a thousand emails and hundreds of online news articles will be included here.