And you say you came back with your own style. Karang - Out of tune? Biography High School Musical. And that's really important. It was recorded live in Paris in 2020. So 4 is the golden, incredible Steinway D. And so that's one way of trying to sort of police it - you know? But it wasn't developing. There were a couple of the memories. Loading the chords for 'Joshua Bassett - When There Was Me and You (HSMTMTS | Disney+)'. And God put a mark on him. High School Musical - When There Was Me And You Chords | Ver. 1. BRIGER: Or just what's going on. I'm glad you don't fade out. BRIGER: Would you try to absorb some of him just sitting there? A recent talk of the town item in The New Yorker said that he is, quote, "arguably the greatest working jazz pianist; top five, for sure, " unquote.
I can't believe that/ I could be so blind. Those guys were like - they were like priests, you know? And this, to me, it sounds like you're really doing independent things with your right hand and your left hand. And one fun thing about this record was it was sort of an orchestrational (ph) challenge. I couldn't - I just - I couldn't, you know?
MEHLDAU: And then, 1 is you'd really have to fix this up - you know, all the way to 4, which - I've only had two 4s in the 15 or so years we've been doing it. So that's all, you know, just in one scale. MEHLDAU: Definitely, yeah. As I said before, in your memoir, you talk about the difficulties you had stopping using heroin. Unlimited access to hundreds of video lessons and much more starting from. When there was me and you ukulele chords. And that's what I experienced as - when I came to New York and I started meeting older jazz musicians, who were also mentor figures, like Jimmy Cobb - the great Jimmy Cobb, the drummer - and Junior Mance, the pianist who I studied with, different musicians I worked with.
I asked him why he chose the song for his new album. So everybody played - everybody picked different tunes. It's like... MEHLDAU: Yeah, going outside of the harmony and - a little more - if I'm in a mode, it's more mode (playing piano) and not a diatonic (playing piano) bass - that gets really into kind of... BRIGER: In the weeds, a little. Terms and Conditions. And I've never called off a concert. GROSS: FRESH AIR's executive producer is Danny Miller. When there was me and you song. I mean, it's interesting. For example, the audience responds to the first line of the song ("If you're happy and you know it, clap your hands") by clapping their hands twice, on the second and third beats of the second bar of the line. I was always curious how that went. Mix High School Musical (hsm3 Finale) Part.
You were addicted to heroin for many years. This is "Monk's Dream. MEHLDAU: Well, it's not on the record, but it always comes to mind, you know, maybe because everybody knows it, but just what he does with "Blackbird, " which I've played a lot over the years. Mix Right Here, Right Now. And of course the A is the lowest (playing piano) note on the piano, which I love to play if I... BRIGER: (Laughter). "If you're happy and you know it, shout "Hurray! High School Musical uke tabs and chords - Ukulele Tabs. And this one, "Strawberry Fields Forever, " some of the ones from "Magical Mystery Tour, " they - I just found them disturbing, and I didn't really like them too much - also, "For The Benefit Of Mr. Kite! " BRIGER: That's Brad Mehldau playing "I Am The Walrus. " But first, just before we listen to that, could you just play the - like, the simple melody for "Monk's Dream, " so we can hear it?
BRIGER: This is FRESH AIR. Upon its release on January 20, 2006, it became the most successful movie that Disney Channel Original Movie (DCOM) ever produced, with a television sequel High School Musical 2 released in 2007 and the feature film High School Musical 3: Senior Year released to theaters in October 2008. You felt like an outsider a lot of your youth, in part because you were adopted. But you can't say that, you know? Well, Brad Mehldau, welcome to FRESH AIR. Mix You Are The Music In Me. So I - it was sort of a little bit of an ego thing of, you know, just - I want to get this back, you know? And there were pieces of it there about some of the kind of political/musical discussion. So I tried to describe some of the - you know, the ecstasy of hearing all this great music and some close friendships. When there was me and you karaoke. But then, they came through, and they got another piano.
That I heard you singing. But I think there's a kind of - something that I can get to, for instance, in playing a ballad, and sort of going in this interior zone that's informed by, you know, experiences that I wouldn't have asked for, you know, at the time, you know? And it sort of leaves you hanging, you know, and like it - and it's wistful, which is an emotion I get from Paul a lot, kind of sad, happy, happy, sad. And wishes on a star. Strum this one using quarter note strums (four strums per bar) so that you strum a total of eight times for each line of the song above. Rem ember when you to ld me that I was. But Hesse has this idea that the character, Demian, is explaining that, no, actually, it was the other way around, you know, that Cain was really - he was special. We play a lot of music by jazz pianist Brad Mehldau on our show in the breaks and at the end of the show.
I mean, looking at your touring schedule, you're often playing concert halls. "If you're happy and you know it, and you really want to show you're happy and you know it, shout "Hurray! " And you're playing the Thelonious Monk song, "Monk's Dream. " MEHLDAU: Yeah, I just love it.
He also has a memoir coming out in March titled "Formation: Building A Personal Canon, Part 1. And if - because I remember we had a lot of good times, too, you know? That I confused my feelings with the truth. It's like, if only they knew what I could do - you know? Yeah, I did think about that a lot. And then you're in and out of there in a couple minutes.
MEHLDAU: Yeah, definitely. Phineas Newborn - another one - and Art Tatum, you know, if we're going earlier into that earlier style. Chords Wondering Rate song! BRIGER: You said that you always felt apart from other people, and that at first you kind of felt that that meant you were inferior, but that you were able to sort of transform that feeling and imagine it like - that you were sort of this cool outsider. And when you smiled You made me feel.
MEHLDAU: I think it was - it was interesting 'cause it's not something I realized myself.
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