I pout, trying to guilt-trip him into letting me have my own way. Ofc America is the victim. Fandoms: TOLKIEN J. R. - Works & Related Fandoms, Marvel Cinematic Universe, Doctor Strange (Movies), The Silmarillion and other histories of Middle-Earth - J. Tolkien, The Lord of the Rings - All Media Types. Set during The Lord of the Rings -. My dad sighs, putting his hand on my shoulder. Trans rights are human rights! She hissed, and the sorcerer-in-learning huffed. Doctor strange x male reader. He shouts after me, the realisation hit him in the face. And now Elrond Peredhel must wade through the political and dangerous turmoil which stirs ever at a high.
I'm spider-man, im a bi trans man, yes my pronouns are in my bio. It doesn't help when a certain half-dark elf slowly makes him doubt his thoughts on the Eldar, the Valar and reality itself. "Don't pull that on me, it won't work. " If any of these statements make you uncomfortable go think about it in the corner! My father yells, the portal closes and Wong smiles.
Ignore her, please Wong. They don't need to get caught up in everything that Jane did when she started dating Thor. America Chavez décide de faire une farce à Stephen. And after being revealed as a Stark-Rogers, Peter is finally starting to settle into life and all that comes with being a secret superhero, with a suitcase of trauma, and being famous for being the adopted son of the most successful man on the planet and the first Avenger. She hissed, and America blinked. The shredded remains of a dying Universe, left to crumble in the titans footsteps, can no longer sustain its dwindling lifeforms. How many times have I said no? Doctor strange x daughter reader 9. " Do not listen to a word that comes from her mouth. " Exactly what the dang title says!
Me trying to write mostly fluff to get back into working on this series again so I can finish Dread It, Run From Assemble and Rise Against it. Meanwhile, tension among the elves of Lindon has now been evident since the Ñoldor left for the east. Part 19 of FebuWhump 2023. Yet Thanos always finds a way. It all started in Lagos. As the North of Middle Earth allies together to join the fight against Sauron's forces, Illyria Strange - The Oialëa - struggles to fight her way through unseen boundaries that neither sorcerer nor has ever achieved. Doctor strange x daughter reader. C'est elle qui finit par être surprise. "What is she asking who? " Or; A girl lost her brother during Multiverse of Madness, and searches for revenge.
Wong tries to comfort me. After nwh, peter ends up living in the sanctum sanctorum. I desperately wanted to train in the Sanctum just like he had, but he kept claiming that it was 'too dangerous' and that he didn't want me to get hurt. Wong rolls his eyes at my dad. A single dad with four kids of his own. My father rolls his eyes, putting his mug of coffee back down on the table. I ran face-first into the answer to all my problems, Wong.
Language: - English. With barely enough space to breathe. It was dark and Peter was lost in the woods. And in his place is a much darker variant who will stop at nothing until he gets his hands on the Darkhold. America is still adjusting to Stephen being so domestic. Wong's face wrangles in pain, it was evident that my puppy eyes were working on him, so I pout at him as well, the pain growing stronger and stronger on his face. One-shots and plot bunnies and maybe outtakes from the Found Family and Strange Family series. Part 2 of Scarlet Strange Canon-Divergent Stories.
Amazingly, this half is just as delicate and lovely as the other is loud and ungainly. Even the vaudeville pastiches, which ought to serve as comic relief, run out of wit before they run out of tune. All the effort seems to have gone into fashioning big visual payoffs, some of which are indeed jaw-dropping. In the moment of her choice between the gay man and the black man — a choice that naturally implicates the sister beside her — the best threads of the musical tie together in the recognition that though we are all conjoined we are also all distinct. This part is fiction, or at least conflation. ) As previously announced, the Broadway cast recording of Side Show will be released on Broadway Records in early 2015. The opening number, "Come Look at the Freaks, " efficiently says it all: "Come explore why they fascinate you / exasperate you / and flush your cheeks. " And "I Will Never Leave You, " the size of the statements for once seems earned, as we have learned from the inside to care for the characters. First they are exploited by Auntie, who raised them as peep-show attractions in the back parlor; then by Auntie's widower, Sir, who features them in his circus sideshow.
In any case, you can't get to the first except through the second. There's no avoiding the Siamese imagery; many of the songs, and even the title, play on the theme. ) The songs, with music by Henry Krieger and lyrics by Russell, have an especially bad case. For that we have Emily Padgett and Erin Davie, both thrilling, to thank; stepping into the four shoes of Emily Skinner and Alice Ripley, who played Daisy and Violet in the original, they are as powerful singers and more nuanced actors. Perhaps this was Condon's intention; after all, there is a profound tradition of theater (and film) in which we are not meant to feel directly but to comprehend what the authors have identified as the apposite feeling. Listen to "I Will Never Leave You" below. But to support those moments, much of the story — by Bill Russell, with additional material by Condon — is grossly inflated, hectic, and vague. The plot itself suffers from the rampant musical-theater disease I've elsewhere dubbed Emphasitis, in which the emotional volume is jacked up to the point that everything starts to seem the same. Whenever it gets big, it gets banal, with no relationship between the musical idiom and the material. Using the format of a musical to explore voyeurism is a complicated business; looking at freaks of one kind or another is part of the contract of showbiz. In it, Daisy and Violet, joined at the hip, are placeholders, no different than the human pincushion and the half-man-half-woman and all the others being introduced; it hardly matters what each twin is like individually or what kind of "talent" makes them marketable together.
Despite a clutch of new numbers, and a thorough shuffling of the old ones, the nearly through-composed score lacks texture. This tale, quasi-accurate, is told in flashback. ) All the subtlety unused in the big story is lavished here on a believable yet unpredictable arc for the twins. Finally Hollywood, in the form of Tod Browning, chimes in; the famous director of Dracula brings the story full circle by casting the twins in a lurid 1932 sideshow drama called Freaks. This seems to have gotten worse, not better, in the revamping. ) The problem with Side Show is that these stories can't be separated, and only one can thrive.
The show is almost always gorgeous to look at. ) And when they sing together, as in the big ballads "Who Will Love Me As I Am? " Side Show is at the St. James Theatre. Watching them negotiate each other physically, while trying not to think about the giant magnets sewn into the actresses' underwear, one does not need help to see, or rather feel, the metaphor of human connection and its discontent. That one image tells us more about the ordinary humanity of the freaks than all the Brechtian scaffolding. The story of the Hiltons' rise from circus freaks to vaudeville stars in the early 1930s, with all the requisite references to cultural voyeurism and its human costs, is fused to an intimate story of emotional accommodation between sisters as unalike as sisters can be. Even as the show proceeds, they often remain exhibits in a parable of exploitation. Daisy always introduces herself with a confident leaping two-note figure; Violet with a drooping triplet. As Daisy, the more ambitious one, grows sharper and harder with disappointment, Violet, the more conventional one, grows sadder and lonelier — even though it's she who gets married.
If so, perhaps Condon should have gotten rid of the brilliant device of having the Lizard Man, when on break from the sideshow, wear reading glasses. Indeed, much of the music is indistinguishable from Krieger's work on Dreamgirls. Whether the freak is a merman or a Merman, all that producers can sell to audiences is the uniqueness of their stars. Aggressively soliciting your interest and then scolding you for it is therefore a paradoxical and somewhat disagreeable approach, one that Side Show takes so often I began to shut down whenever the meta-material kicked in. Orchestrations are by Tony winner Harold Wheeler with musical direction by Sam Davis. Their apparent rescue by Terry, the man from the Orpheum circuit, and Buddy, a song-and-dance mentor, only furthers the theme; Terry's eye for the main chance, and Buddy's for a way out of his own sense of abnormality (he's gay), eventually reduce them, too, to exploiters. Oscar winner Bill Condon directs the upcoming revival. But each of them is stuck with obvious outer-story characterizations and laborious outer-story songs; they thus seem like placards. But Bill Condon, the film director who conceived the revival and put it on stage, lavishes much more attention on the other. Now as then, the cult musical about the conjoined twins Daisy and Violet Hilton is itself conjoined.