"O mighty love, o love without measure…" Deeply devout, Bach was particularly touched by the story of Jesus Christ's Passion. Johann Sebastian BACH (1685-1750). This serves as an introduction to elaborated versions of the contrapuntal episodes, finally providing a concluding passage. The beginning was the end. In 1901 Reger moved to Munich, where he spent the next six years. Regers technically demanding Fantasia and Fugue on B-A-C-H was written in 1900 and inscribed to Rheinberger. Reger held this position until the beginning of the war, when the orchestra was disbanded, an event that coincided with his own earlier intention to resign. From the time of Johann Sebastian Bach onwards the letters of his family name had served as the basis of compositions in tribute to him. The Suite consists of three dance movements.
The accompanying booklet, in German and English is good, but a little more insight might have been good. The beginning and end of all music reger books. Military service, which affected Regers health and spirits, was followed by a period at home with his parents in Weiden and a continuing series of compositions, in particular for the organ, including a monumental series of chorale fantasias and other compositions, often, it seems, designed to challenge the technique of his friend Karl Straube, a noted performer of Regers organ music. Brandenburg Concerto No. Themed playlists, insightful articles, exclusive videos and quirky anecdotes: our team of experts has curated a dedicated space for you to discover the Leipzig Cantor's eternal genius. Techniques include rolled chords, slurred pizz across strings (both ascending and descending), left hand pizzicato while bowing.
Ends with a sudden subito piano artificial harmonic. Product Dimensions: 12. The "cleansing" of his musically overabundant possibilities by limiting himself to one solo instrument. The finale, with its stabbing accents and general air of sardonic humor, makes for a curt conclusion to a work which takes no hostages in its evoking of Baroque precedent. Max Reger: Complete organ works. The recording quality is outstanding, with an extraordinary dynamic range that will test your audio system to the full, in whatever of the various recording formats you are using. The first of these, Präludium, in E minor, contrasts its chordal opening with rapider motifs for contrapuntal treatment in succeeding episodes, the last of which leads gently back to the material of the opening. Paul Hindemith: Sonata for solo cello (1923). Reger's composition, the Acht geistliche Gesänge, only alludes to Protestant models in certain passages; the clearest reference to these models occurs in Schlachtgesang and in Morgengesang, both of which are composed with many transitions and with eighth-note movement in the accompanying voices, all of which are reminiscent of Bach, whom Reger admired so very much. He avoids the temptation of imposing too much of his own musical personality on the music, allowing Reger to be in the forefront.
The "game" is, of course, the musical culture of Reger's day--composition, performance, theory, musicology, and so on. Despite an enormous output of everything short of an opera, he is best known today for his organ music. Adagio rubato: Dotted rhythms pervade through the movement. That Bach could be misunderstood for so long is the greatest scandal for the 'critical wisdom' of the eighteenth and nineteenth centuries. " This Suite was popularized by the great cellist János Starker. The fact that Reger, a lifelong Catholic, was a great admirer of the Protestant chorale is often mentioned in association with his many chorale arrangements for organ. Walter Väth's first encounter with Max Reger was on the organ with his choral fantasies. It is among the most significant works for solo cello written since Johann Sebastian Bach's Cello Suites. Allegretto: Dissonant but playful gestures open the movement, and are juxtaposed by agitated dotted-rhythm double stops. The beginning and end of all music reger funeral home. At the time, this was for me a completely new way of composing.
He brought it to vivid life through music not just once, but twice, turning a few verses from the gospels into monumental 3-hour-long masterpieces, complete with orchestra and choir! Perhaps most entertaining is the fourth and last part which presents Reger's "analyses"' of his own works written for the yearly festival of the Allgemeiner Deutsher Mttsibverern and later published in Die Musik. I had my first encounter with Max Reger on the organ, with his expansive chorale fanatasies and at first I found his music bombastic and difficult, then weighty and expressive and finally, disproportionally large – only not necessarily simple. 2 x 14 cm; 90 Grams. These are also recorded on CD. If you, your speakers/headphones, and your neighbours survive those pieces, you should be able to get through the other 15 CDs without mishap. Shipping time: In stock | Expected delivery 5-7 working days | Free UK Delivery. Fantasia and Fugue on the Name of BACH, Op.
Originally composed for harpsichord, they are now a hallmark of the piano repertoire as well and one of the most recorded pieces in music history. A quasi vivace second subject is introduced into this double fugue, duly allowing the chromatic first subject to join with it in a triumphant return, leading to the final ffff, Adagissimo ending. Product description. Otakar Ševčík: 40 Variations for solo cello, Op. Whilst I have a lot of Reger, including a few discs of transcribed Bach, I don't have a set that contains all of the Brandenburg Concertos, so when offered the chance to review this set, I jumped at it. Stylistically it acknowledges 18th century dance forms before saluting the Tango of our own century. Thomaskantor Karl Straube praised him for the "perfect manner in which he succeeded in reproducing the sound characteristics of the organ on the pianoforte. Hugo Becker received the dedication for the first Cello Suite in G major. Christmas Oratorio, BWV 248. Pastorale: Dotted rhythms in a triple feeling which revisit the intervallic unpredictability of the first movement. Middle section is more lyrical, but maintains the leaping shape of the main material. All the more striking is the contrast between these works and the works which he composed in the last years of his, sadly, all too brief life. Read more: The twelve musical days of Christmas.
The expressiveness which Reger achieved in a simpler style in his later years, presents a highly interesting contrast to the motets, composed several years previously and representative of the "more difficult" Reger style. Piece: solo cello work by Perle. It was first performed by Karl Straube at St Willibrords Cathedral in Wesel. It contains influences of Debussy and Bartók, as well as the inflections and nuances of Hungarian folk music. Composed to accompany the "most wonderful time of the year", his Christmas Oratorio ironically consists almost entirely of secular cantatas which Bach had previously written as part of a set of commissions portraying local rulers. He was successful, however, as a pianist and was gradually able to find an audience for his music. The intimate, deeply earnest Adagio (distantly related to a sarabande) resembles in its form the first movement; accordingly strong cyclical elements are at work here as well. Piano Duo Takahashi|Lehmann.
Max Reger (1873-1916) was one of the most distinguished German musicians of the 19th century and a prolific composer, organist, pianist, conductor, and teacher. With these compositions he proves that he could also – or definitely – compose modestly, masterfully and touchingly. New York: Routledge, 2006. And, to do justice to the organs, and the music, you need a volume setting that will cope with both. Hebrew Melodies for Unaccompanied Cello (1945). As already stated, I do have recordings of some of these transcriptions, but sadly not all, and I must admit to having returned to them regularly, enjoying them every time I listen to them. In fact, the serious and pious Leipzig organist didn't just compose church music and also dabbled in the secular repertoire - not without an occasional dash of humour! We hear you at The Games Cabin, as we also enjoy digging deep into various crosswords and puzzles each day, but we all know there are times when we hit a mental block and can't figure out a certain answer. 135b, was written in 1916 and dedicated to Richard Strauss. Draeske argued against the new musical sounds Salome featured and the overall trajectory of music.
Reger is renown for 'false endings' which rarely fails to surprise live audiences who, after the build up to an enormous climax realise, as their applause dies down, that another ppp section is well under way. The F major Pastorale is in siciliano metre, suiting the pastoral mood, its two upper parts at first in brief imitation over a sustained pedal note, before taking their gentle course. On Vialma, the multimedia streaming platform for classical and jazz, you can dive deeper than ever into Bach's world. But as an introduction to the organ, that first CD is a good way to start. Dissonant triple stops (E-C-Eflat). No, this isn't from your local Starbucks' latest billboard campaign… We owe this satirical wit to one of Bach's most celebrated secular pieces, the aptly named "Coffee Cantata". This effect is also a result of the pianissimo which Reger writes at the end of every piece.
Part 1 is a set of essays in defense of Reger's Beitrage zur Modula- tionslehre (Leipzig: C. F. Kahnt, 1903). The Selected Writings of Max Reger. Passacaglia in C minor, BWV582 [12:56]. Epic counterpoint and arresting gesture, recitatives, songs and dances, drones, shepherd pipes, zithers and cimbalons, veritably a whole gypsy orchestra, make up Kodály's vibrant dreamland. Some left hand pizzicato. Bach & Reger: Transcriptions for Piano Duet. Name 6 works for solo cello ca. Martin Schmeding's playing is magnificent, technically and musically, as is his choice of organs and the music that would best suit them. It's with those emphatic words that composer Max Reger once described the great Johann Sebastian Bach (1685-1750). Middle section is more lyrical with sudden mf's and quick diminuendos.
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