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Kawai's RX-2 model (GX-2 now, I guess) has evolved to a rather lovely-sounding and -playing smaller-sized piano--- nobody's idea of a Cinderella in a houseful of wicked stepsisters; this one's coach-and-four is at the gate. Whereas artificial key tops can be made in one piece, genuine ivory key coverings have joins in them, level with the fronts of the sharps (black notes). If you allow an additional 2 feet for the bench you can count on a total of 5 feet by 4 ½ feet of floor space in your apt or house. Grand locks tend to be larger, and less standard. Or in what context(s)? There is little about the hammer mechanism that inspires any confidence.
Celluloid is sometimes said to be "the American name for an English invention". You will definitely want to select a piano with a warmer, less bright sound. One of the problems in trying to make the piano itself secure is that many hasps tend to vibrate when the piano is played. But despite Vietor's poor craftmanship, and deserved obscurity, this instrument gives a useful glimpse into a German tradition of keyboard Pantalon making, knowledge of which he had presumably imbibed somewhere in north Germany before 1765.
I wrote a program for my computer to find out how many notes per octave it would take to provide pure fourths and fifths from any note, within the limits of human error. It is true that the bass will never have the sound and substance of a larger instrument, but they can be very satisfying in the home. Makers included Barratt & Robinson, Bentley, Berry, Danemann, Kemble, Lindner, Rogers, and Zender. If the date were true this would also be the world's oldest known piano with a sustaining stop, a distinction that would also have belonged to Silbermann. Hi Del - thanks for your second reply too. It is an assembly of modern and antique components, that includes so many anachronisms that it does not merit any serious attention in the study of piano history — despite its inclusion in many books and websites. Although many players were apparently satisfied with Zumpe's basic design up to 1800, significant improvements were introduced by a number of craftsmen during the 1780s and 1790s. If you want to have a go at drawing a keyboard, try making the tails 7mm wide, and the heads 12 mm wide. Many square pianos had fancy wooden mouldings as key-fronts, at least until the 1840s, and Lucy Coad tells me that fronts like these were already being used by Broadwood as early as 1783.
That's the best I can do. Needless to say, parrots do even more damage! Play the minute waltz in 45 seconds" - played in 90 seconds and then sped up electronically to "impress". My thread/this thread is certainly within the scope of Pianist Corner. The type and condition of the hammers will have as much or more effect on the tone in the middle part of the scale. If your music did not stray far from the opening key, this could make a lively sound and was very popular. As recently as 1975, Kemble made this oblique-strung portable piano, which has only 5 octaves (61 notes C-C) and saves bulk by being raised off the floor on stands. But, sticker shock is the way of the piano world. Prof Ahrens concedes that the 'Socher 1742' is not trustworthy, but tenaciously argues that, since he has 'proved' that there were Tafelklaviere in Leipzig in 1764, Zumpe may well have encountered something of this kind when making a return journey to his home town (near Nuremberg) some time between 1755 and 1766. My piano is also positioned in a corner. Del is too modest to tell you about his work on the Charles Walter grands--- not the physical giants that some other models are, but with the scale design, soundboard, and engineering optimized to play and sound beautiful in the home. Some early clavichords were made with the type of keyboard shown here. The modern piano was developed by the mid 19th century.
These were designed to reproduce the tonal effects and musical resources of Hebenstreit's famous gut-strung dulcimer, but with the convenience of playing them through a standard keyboard. The problem with these is that they destroy the normal tuning arrangement, so some enharmonic keyboards have been made with an extra note between each normal one, and are tuned in quarter-tones instead of semitones, but this is very difficult to incorporate in just one keyboard. It was made by Mathuschek & Co., about 1875. The keyboard is old, but not credible. My survey of 219 pianos made between 1900 and 1920 showed that less than one in seven had 88 notes. Double keyboards are more likely to be an octave apart, or a quartertone apart, an idea which has limited use. Nevertheless, there are several divergent styles of 'square piano', not in any sense related to 'English' instruments, originating in widely separated regions of Germany. The precursors, harpsichords and later square grands, were inefficient in this task. In 1801, Edward Riley obtained a patent for a transposing piano. Dust and grime can collect over the years and is extremely difficult to remove. It was meant to encourage us to dare put our playing out there; there was no competition or anything else - it was just "what can I manage to do here" - and somebody started to analyze a fellow student's playing for manipulation; when you see someone work their guts out to do their best, and you yourself are facing it with trepidation for your own performance and agonizing, it is painful to see anyone go through that. I looked at Piano buyer and found this: "Do not position a vertical piano or the tail of a grand in a room corner" on page 97.
Check with your doctor but…most tinnitus sufferers (myself included) are affected more by high frequency sound energy than they are by low frequency energy. Unless it is in a competitive type mindset which sees music like some kind of a sport. That kind of place might have "cheaters" for the sake of impressing with lots of scrutiny from others who are equally competitive.