Irma McClaurin, Anthropologist: It's now what we call autoethnography, because it's rooted in some of what she has lived herself, but also what she's researched in her own community. She honestly did lose somebody she saw as a kind of spiritual mother. The press of new things, plus the press of old things yet unfinished keep me on the treadmill all the time. Half of a yellow sun streaming vostfr series. Carla Kaplan, Literary Scholar: Hurston worked across many different disciplines, many different fields, many different kinds of artistry. Narrator: Hurston spent another eight unaccounted years trying to find her way in the world.
She had been sketching out a story loosely based on the lives and experiences of her parents in Eatonville. Zora (VO): I was glad when somebody told me, "You may go and collect Negro folk-lore. " She has this full life experience. Irma McClaurin, Anthropologist: That book is a great illustration of Zora blending her literary skills and talent as a writer, and also her skills and talent as an anthropologist and ethnographer. Half of a yellow sun streaming. She thought it was going to be the artistic production that told people who she was. I think it speaks to her, again, desire to participate in the knowledge production of anthropology. So she does this, um, very, I would say, opportunistically. They observe social interaction and document that, and so the novel is rich with how people gossip and how they make judgments about things. Eve Dunbar, Literary Scholar: She was articulating something where her investment in a particular version of Blackness was not valued. Irma McClaurin, Anthropologist: It is Zora's first formal collection of stories, folklore, and it cements her as a native anthropologist. Hurston (Archival VO singing): I out had told her He must be the hell fired captain's Ha!
Zora (VO): Negro reality is a hundred times more imaginative and entertaining than anything that has been hatched up over a typewriter. She fell into that world and she fit in that world. It's a world of jazz. María Eugenia Cotera, Modern Thought Scholar: She signs a contract that she will not share any materials with anyone or publish anything outside of Mason's approval. Lee D. Half of a yellow sun streaming vostfr. Baker, Anthropologist: Hurston's intimacy and support of his African authenticity enabled him to open up to her in an authentic way. Irma McClaurin, Anthropologist: Zora also wants to write for the folk. Charles King, Political Scientist: It's not until she becomes an undergraduate at Howard University that Hurston feels like the gears begin to turn again, and her life restarts.
Hurston opened her story explaining how she had known folklore since she was a child. I think that was an important form of resistance. I felt the ladder under my feet. And that's what she does, she joins in with them. These sitters had been tongueless, earless, eyeless conveniences all day long. Narrator: Charlotte Osgood Mason, the white, wealthy member of old New York society who was Langston Hughes's benefactor, offered Hurston a way to resume her research. A Raisin in the Sun streaming: where to watch online. On the one hand, this was a very noble pursuit, that you wanted to grab things before they disappeared. Whether it's a juke joint or a turpentine camp or a lumber mill or a hoodoo initiation ritual, she's taking you as a reader into a society that she as a scientist is desperately trying to understand. Irma McClaurin, Anthropologist: They have already decided what she can and can't do.
María Eugenia Cotera, Modern Thought Scholar: The Opportunity Awards introduce her to the Harlem literati of New York as it's kind of developing, rising up in this mid-1920s moment. These men didn't represent a thing she wanted to know about. It's a fusion of both southern Negro dialect and as well as some African words thrown in there. Narrator: She had once written to her friend, the poet Countee Cullen, complaining about the "regular grind at Barnard": "Don't be surprised to hear that I have suddenly taken to the woods.
One of the ministers remarked, "the Miami paper said she died poor. His laugh has a hundred meanings. Narrator: Hurston again looked to the Guggenheim Foundation for support. Lee D. Baker, Anthropologist: Dust Tracks on a Road is highly edited. They – to give emphasis – use the noun and put the function of the noun before it as an adjective. He is the gatekeeper of anthropology who also is an influential and an important antiracist. Whatever song he starts if it has a fast rhythm then they work fast and if it's a slow one well they work you know a little slower but they get just as much work done singing somehow or another. Set with her two-seater she named "Sassy Susie, " Hurston took off for Eatonville.
I am surged upon and overswept, but through it all I remain myself. That kind of spontaneous creativity is amazing given the harsh conditions in which people were working. And a Black deputy sheriff comes along and he remembers that this woman was someone. Daphne Lamothe, Literary Scholar: Anthropology understood itself to be a science.
Zora Neale Hurston was buried in an unmarked grave. It turns out that the woman had a vendetta against Zora, but the people who abandoned her never really come back into her life. Text: After 87 years, Zora Neale Hurston's book Barracoon was published in 2018 and became a bestseller. That is to say, she's someone from the communities that she is studying. She believed that you had to perform it, that you had to see it, you had to hear it, you had to feel it. I felt crowded in on, and hope was beginning to waver. Narrator: Mason supported other writers and artists of the Harlem Renaissance, including Howard professor Alain Locke. Fannie Hurst, one of the nation's most successful writers, sought out Hurston after the event to hire her as personal secretary. Daphne Lamothe, Literary Scholar: Hurston's the daughter of a preacher. María Eugenia Cotera, Modern Thought Scholar: It was anthropology that really showed Hurston that she could write about her culture and imagine a career where that could really be the source of her literary imagination. Hurston (Archival VO singing - Mule on the Mount): Cap'n got a mule. I am knee deep in it with a long way to go. Lee D. Baker, Anthropologist: Franz Boas had a good eye for talent, and he didn't care if they were Black, white, women, male, or the like. Eve Dunbar, Literary Scholar: Everybody is really excited about what it might mean to be able to slough off that Old Negro, who is the product of enslavement.
The Exception Photos. Zora (VO): Mama exhorted her children at every opportunity to "jump at de sun. " And when you live with someone for a year, guess what happens—you start seeing that they have a lot to say. Narrator: Boas landed at Columbia University. I wanted books and school. Carla Kaplan, Literary Scholar: He's a very important voice. Mason, whose grandmotherly appearance belied her imperious ways, insisted that her beneficiaries call her "Godmother.
Hurston's translation of rural Black experiences into literature so impressed Johnson that he suggested that the young woman join the flourishing literary scene in New York. She discussed her plans with Langston Hughes, imploring him to not tell Godmother. Movie Trailer: Join a cult whose roots go back to darkest Africa. Tiffany Ruby Patterson, Historian: Her father was very domineering.
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