Slowly the band reconstructs the Bird Song theme, building to a nice climax as they return to the reprise. 4/7/85, 6/21/85 and 11/5/85 are all fine examples of the joys of a compact Bird Song. The jazzy line attracts full band accompaniment. In addition to 9/21/72, I would also commend 9/15/72 to the attention of Keith fans.
The band is generally playing well, and there are some interesting structural developments. Like all 1971 Bird Songs, it is relatively brief (under 8 minutes), however this is the first version that I feel truly soars. Deadbase also gives praise to the 3/9/81 version from Madison Square Garden, and again this praise is well deserved. Bobby then mixes in rhythm and some unusual lead lines that builds another unique jam. Each time someone shows that he cares. Out on some borderline. Bird on the horizon, sittin' on a fence. Now is the time lyrics jade bird. To their credit, all are adventurous.
'Cause every little thing gonna be all right! The post-drums jam quickly falls apart. This jam also develops some nice Dark Star elements. After briefly stopping, the jam turns in an even stranger direction with an angry Jerry lead competing with mysterious tones from Phil. The bird lyrics the time goes. After a very complex and abstract jam, Jerry tries to launch the strumming theme, but the band, especially Phil and Vince refuse. 7/25/72 is also a tad pedestrian, but offers the first clear statement of the post-drums theme that will be a centerpiece to the remaining 1972 and 1973 Bird Songs. For the first time, Keith played the whole song on Fender (something he continued in most of the later 1973 versions), a delightful change of pace.
Slow Ready Lyrics [? In early 1986, the band launches the reprise out of a climax in the jam. It features someone, I assume Brent, playing a synthesized horn figure that adds a novel color to the jam, and foreshadows guests to come on other days. In 2016, Liverpool fans used it as they followed their team across Europe. Sing a song of sixpence nursery rhyme music and lyrics. The vast majority of Bird Song jamming is based on extended lines of notes from Jerry and Phil. Often, Vince takes his place as a lead voice introducing jamming themes and butting heads with Phil. The 9/12/73 version from William and Mary launches the opening jam directly towards space, using circular patterns reminiscent of the revolving jam central to 1969 Dark Stars.
He joins Jerry and Phil in kicking off the jam, ornamenting Jerry's leads, both his guitar and MIDI flute lines. Jerry starts this jam in a cautious, exploratory mood, but gradually pushes the jam into space. Bobby backing off opened space in the arrangement that gave Keith and especially Phil more room to play. And who knows, (Copyright © 1967 Sonet Music). 11/5/85 features excellent band interplay, and a lively. Despite the profusion of great Bird Songs from the year, it is easy to pick my favorite: Nassau Coliseum 3/29/90 - the night Branford came to town. Give this twisted version a serious listen, and be sure to check out the electric xylophone effects. This is not a complaint about the strumming jam, I always enjoy hearing it, and they find lots of new angles to explore. The bird lyrics the time of my life. This is not to say that 1987 Bird Songs are dull. The band pushes out of this figure, then returns to it just before the return to the bridge. This wakes up Phil, who echoes Jerry's pattern. After the show, in the finest tradition of attack journalism, reporters demanded reactions from the musicians coping with the loss of one of their own. Also in 1968 Sandy joined Fairport Convention.
Branford snakes his way in and sets up an extended dialogue with Jerry, trading ideas over Phil's mobile and inventive lead. Rise up this mornin', Smile with the risin' sun, Three little birds. This version of Bird Song is not terribly distinguished, but it does kick off a novel suite of material, going into Ripple then Drums then Oh Boy. The album version is nice, with a bouncy tempo, but not particularly inspiring. It is really quite lovely. This is a wonderfully chosen image, since snow and rain are two of the perils of a bird's existence, evoking concisely the perils of mortal life. Time to Flee Lyrics - Song by Goose. The electric versions from 1980 on are almost always in the first set. The jam on 4/16/83 starts cautiously, but quickly takes off with a sweet ethereal lead from Jerry, complimented by a parallel line from Phil, and Brent's accents and color.
Phil almost capsizes the intro when he tries to invent his part on the fly. The post-drums jam and the closing jam are much better organized, although neither soars. Murray quickly takes charge, with deep tones and soaring lines rising to an explosive peak. These are not a powerhouse jams with dynamic surges. The Acoustic Bird Song. The two offer an interesting contrast. The new electric arrangement is very similar to the acoustic version in that the jamming is almost exclusively concentrated in the middle of the song, and the band never settles on a fixed pattern for the verses. 5/15/93 features a massive strumming jam early on in the proceedings. For many years, Bird Song was Hunter and Garcia's hidden elegy to Janis Joplin. Almost every performance is memorable, and every jamming song they performed reached great heights. Bobby adds fuzzy atmospherics, then Jerry launches a soaring lead over Phil's twisted terrain. At points it seems like the band is just waiting for Jerry to get around to launching the strumming theme. Finally flying offers the listener the opportunity to "dry your eyes on the wind. Sandy Denny lyrics. Who knows where the time goes. "
Later in 1967 she joined The Strawbs and re-recorded the song, again with just voice and guitar. There are two versions, though, that I can strongly recommend. It is also, possibly, the longest Grateful Dead Bird Song. After quite a bit of strange land is explored, Jerry introduces a skeletal outline of the strumming theme with coloration from Vince and Bobby. It is substantially longer than any previous version, running close to 12 minutes, and the band makes great use of the extra time. Became a signature song for Sandy and for Fairport Convention. Vince climbs and descends on synth. On 4/17/82, Brent livens up the verses, and plays a key role in the weirder section of the jam, setting up obstacles for Jerry to work around.
The drummers are back in their cage, and the band in general seems more confident. Early 1986 is a seriously underrated era. Turbulence and The Night Rays Lyrics [? Jerry is on top of his game in the jamming, although his vocals are a bit dodgy. The only time I really hear the band jamming from Bird Song into another song is on 11/17/81, the night the band jettisons the reprise. One begins to understand Bobby's complaints about the drummers overplaying on ballads. Phil shifts through these thematic shifts in perfect synch with Jerry. Written by: Bob Dylan.
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