"If he only repeats himself, how can he be sincere? " The characters are the same, the situations, locations and even some of the lines are exactly the same. Writing a film, however — especially a film for her new friend — would be a different matter. Instead, he escapes to Paris, leaving his wife in Korea, and there he meets an ex-girlfriend and then a community of Korean artists. May 31-Jun 2: Detroit Institute of the Arts - Detroit, MI. "Hotel by the River" (2018) was the 23rd feature from Hong and the director's sixth film starring his lover Kim. They take the owner and his staff hostage, and serve customers, pocketing the cash for themselves instead. This is a very personal film for Hong, more so than much of his other work. The perfectly cast Song Kang-ho is Man-seob, a cabbie who becomes the reluctant hero of the 1980s Gwangju Uprising. Night Journey (1977). Unhurried and often demonstrating the power of silence to make us understand the connection between characters, this is a romance which provides a candid view of the trappings of love. The first two acts are relatively light and straightforward in tone — naysayers might even say "slight" — and it could be argued that at first sight, Gam-hee, played with gentle aloofness by Kim, doesn't seem to really open up emotionally with either of her friends. Official Selection - The New York Film Festival. She sits down to count the pennies and decides that she is not willing to forego the cigarettes and whisky, but paying no rent seems appealing and she goes sofa-surfing with old friends instead.
Suggest an edit or add missing content. Yoon-hee lives with her high school student daughter Sae-bom. May 24: George Eastman Museum - Rochester, NY. What was once musically a point of connection between two people, has been reduced to a bitter memory. Hotel by the River (2018). Seong-nam, a painter in his 40s is wanted by the police for smoking marijuana. Su-young too is disturbed by someone ringing her doorbell, though instead of complaining about cats, the man in question turns out to have been a one-night-stand of Su-young's who talks as if they'd been married for years and he's been forced into a trial separation. In a small Café, Min-hee Kim plays a guest who prefers to observe but not interact with the other guests herself. Well before The Housemaid (2010) and Canola (2016), and before she became the first Korean actress to be nominated for an Oscar, Youn Yuh-jung was excelling in the second film in Director Kim's Housemaid trilogy. While essays have been written in attempts to deconstruct the code that is his body of work—in reality, his work is much more simple. His films are stripped back, removed of artifice, allowing space for the viewer to take their time and appreciate what is being shown before them.
Hill of Freedom (2014). Despite her academic smarts, Jin is consumed by family duties and her anxiety grows. He says; the screen lights up. The pair then head to Otaru, a sleepy village in Japan, where possible reconnection from the past is on the cards. Hyeok-jin has just split from his girlfriend so plans a trip by the sea with his friends. What seems like another rom-com to throw on the pile eventually turns into some more meaningful and ultimately heart-breaking.
Apr 4-20: Minneapolis-St. Paul International Film Festival - Minneapolis, MN. Teenage rebellion without limits. They have been involved in this rivalry for years. During a recording trip to snares the mummers of nature, sound engineer Sang-woo meets radio host Eun-soo. She spends time with her friend Jee-young discussing the relationship and tries to find her independence on her wave-bashed walks. From there, he starts to spend time with this feisty girl and a sporadic relationship of sorts begins. Chance encounters, an aversion to the rules and freeform writing are all ingredients that have formed the cinematic oeuvre of Hong Sang-soo. While waiting for them to arrive, he meets two women (Kim Minhee and Song Seonmi) out walking in the new-fallen snow and is struck by their angelic beauty. There is a scene in Nobody's Daughter Haewon (2013), when one of the main characters, distraught after a recent breakup, tearfully listens to a pop-rendition of Beethoven's 7th symphony. Director Im changed the face of Korean cinema by focusing on films with distinctly Korean themes and stories. From ill- timed comments to drunken outbursts, his films are littered with the awkward social interactions fuelled by drinking. Her true love died the Vietnam War and his loss remains an open wound.
Making the novelist's film wasn't easy, the nephew confesses; they watched it hundreds of times in the editing room. Oct 11-12: Union Cinema - Milwaukee, WI. They are a slight nudge from the director to pay attention; to focus on the shift in tone that has just occurred or to highlight the absurdity of a recent statement from one of the characters. Mar 8-14: The New Parkway Theater - Oakland, CA.
She has made a choice! Released around the time of the IMF crisis, we unpack the theme of Korea's disenfranchised youth here, with two hours of fights, feuds and doltish encounters from a single gas station location. While this is characteristically Hong-like in many ways, we see him stretch into new themes and emotional nudges here. The first of three Jang Sun-woo films on this list, we see Pan-chok chase the consumerist dream ("Sleep more than four hours and you're doomed! " Often quiet and gentle, it riffs on that big ticket issue – facing death and squaring the balances before the final curtain.
Showing love as an explosion that can just as rapidly die out. A Petal is a film about the long-term ruination of the psyche of not just a young girl, but an entire nation in the wake of the Gwangju Uprising. Because after two-thirds of the film, it is still unclear who the titular woman could be and what she might be running from. Mar 15-21: The Art Theater - Champaign, IL. Bold and sordid, the third list entry for Kim Ki-young sees the master director find another gear on some of the issues unpacked in his Housemaid trilogy. After marrying the widowed daughter of a pharmaceutical company CEO, Yun Gi-jun has become executive director of the company. Virgin Stripped Bare by Her Bachelors (2000). Featuring a series of brutal baseball-swinging, knife-thrusting brawls, A Dirty Carnival will thrill all the long-term gangster flick fan as a familiar crime tale is given the Korean noughties treatment. But small coincidences and privileged moments combine to create a powerful meditation on family and death, one of the most affecting films in Hong's oeuvre. They too talk about real-estate values and good neighborhoods and have a meal together, and Gam-hee again recounts the fact she has never been apart from her husband of five years for even a day — though given the film's chronology, it must by now have been at least two days. As with A Taxi Driver (No.
Attack the Gas Station (1999). Hong finds a way to balance the warm with the cold, the tender with the pain. Indeed, this is Hong's most female-centric film in recent memory and by giving all men the cold shoulder he's found a fresh-feeling variation on his otherwise familiar brand of conversation-heavy films. His subtle and constant play with repetitions and variations allows him to highlight both continuity and abrupt change, while making it possible for viewers to slowly get a peek behind the curtains of the complex emotional lives of people who believe they aren't betraying anything because they are just engaged in small talk.
Our central character here is Gong Ju, played brilliantly by Chun Woo hee, who provides a restrained though deeply emotionally involved portrayal of a victim of an horrific sex crime trying to piece her life back together. The idea of the Housemaid trilogy, which arose every decade, was to offer a view of Korean society in the 60s, 70s and then 80s, and we get an irate slice of the 70s here. Funny, charming and a telling slice of Korean culture, a true gem everyone should discover. However, his friends let him down and he is the only one to make the trip, leaving him at the mercy of a band strange locals.
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