What puts you into that frame of mind where you're able to write in that way? Though I may not know the answers. JOY: I, like, did a little interview of my grandfather a couple of weeks later, just to kind of ask him questions about his life and, you know, that kind of thing. This will cause a logout. SEYMOUR: And Luther hated when people would misinterpret his music and call him things like Dr. Love or, ooh, you make all those baby-making things. Somebody said, movies. I mean, he grew up going to the Apollo, seeing artists like Patti LaBelle and the Bluebells, seeing all the Motown stars. There's no way that coming out as a Black gay man would have given him any support because the mainstream white community just would have had no even understanding or way of supporting him like that. Am F C. And I can feel faith rising up, F C G C. Cause I know God is big enough. The loneliness and longing of Luther Vandross; plus Grammy winner Samara Joy : It's Been a Minute. Like, it's always going to be on the cutting edge stylistically. It sounds like they're contemporary in their own time. And the other was already a standard, called "I'm Confessin' (That I Love You). And then now what's happened is that the people - which I can understand. Bigger than the weight of tomorrow.
And what better time to talk about one of the all-time musical greats - Luther Vandross. And he's influencing the sound of artists like Anita Baker. We're having trouble loading Pandora. VANDROSS: (Singing) I'm not meant to live alone. Yeah I know God is big enough. SEYMOUR: But on the last live album he recorded, I think what he does with "House Is Not A Home" is really - you really get everything that he's doing with a ballad and how he can both make it a statement connecting people and connecting people's sense of loneliness. 1 album that I listened to was my family's album because... JOY:.. recorded a record before I was born. My god is big enough clark family. Album: My Mind's Made Up. So... JOY:.. 's nice to hear, you know, that my lyrics to this beautiful melody and solo are connecting with people now. SEYMOUR: One lesson I learned so much about his excellence in that is that - this was when his song "Take You Out" was coming out. VERSE 2: There are days when the shadows of doubt make me feel small, I declare that I don't stand in my strength at all, Am C. Cause I won't live a day you didn't plan, Every single moment is in your hands. He had, like, a ballerina perform on top of a piano. I Have Been Blessed.
Around the time that Luther was developing and not yet succeeding, you had a whole bunch of jazz-influenced vocalists who were doing R&B, and that sound was very smooth and very different from what had come before. JOY: And so everything from, like, the quality of my voice to, like, the artistic liberties that I take whenever I'm, like, singing a melody and stuff like that, it all comes from them. And yeah, and good luck with everything.
I had never done it growing up before, maybe besides - everybody knows (singing) there I go, there I go, there I go, there I go. LUSE: You know, you're known for practicing a difficult vocal style called vocalese. Today on the show, I talk with Craig, and we make the case for why Luther Vandross should be on the Mount Rushmore of American music. SEYMOUR: I mean, Luther made the R&B show become a theatrical experience because a show that you would see in the early '70s would be like, whether you saw it in a club or a big stadium or whatever, it's - it was the same show. He says it takes away from my artistry and what I'm trying to do. Chordify for Android. I mean, he had jokes. Clark Family - Big Enough (Lyrics) Chords - Chordify. By: Instruments: |4-Part Choir Piano Voice|. SOUNDBITE OF SONG, "I'M CONFESSIN' (THAT I LOVE YOU)"). SAMARA JOY: (Vocalizing). You have people like Phyllis Hyman, Angela Bofill, Michael Henderson. LUSE: Now, here's the thing some of you might not know.
LUSE: We're about to talk on one of my favorite topics. A song of yours called "Nostalgia" has gotten quite a response from people who are generations ahead of you. LUSE: Talk to me about how Luther's songwriting presentation style redefined masculinity in R&B. And Luther was somebody who was always angling for privacy. Laughter) This was very, very cool. Lyrics for big enough. Sometimes I feel I'm going to lose my mind. May I keep my eyes on You. And eventually, we were going to get to the point where he said, well, I've gotten to this point where now, you know, I'm old enough. He had very few people that he ever dealt with. Karang - Out of tune? And he said, 'cause one of the lyrics is, take you out to a movie.
I don't know what has to happen, but y'all got to do that again. But one of the main sticking points from him getting a recording deal is that he demanded that he had creative control and that he was able to write and record his own material. He said, somebody said movies. SEYMOUR: That was one of my earliest experience. VANDROSS: (Singing) What a world for the lonely guy.
Singing) Can I - I'm dancing... LUSE: Right. LUSE: You have been nominated for two Grammy Awards, one of which is best new artist. Here is this iPod Touch to and from school. It's like a disco ball that shatters, that's just - you can see pieces of it reflected, refracted everywhere.
Need help, a tip to share, or simply want to talk about this song? Luther's hot celebrity gossip after this quick break. They would always tell Luther, we can't get your songs on pop radio because of the material, because you write it yourself and everything like that. And so I was like, this is something I want to know more about. That's my cousin right there. The Clark Family Lyrics, Song Meanings, Videos, Full Albums & Bios. But I know that I have a Savior. Live by Cody Carnes.
LUSE: It was edited by... JESSICA PLACZEK, BYLINE: Jessica Placzek. I will call upon the One Who can get me through the night. Get the Android app.
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