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Protagonist Journey to Villain: A very tragic case with Owen, despite being a kind, innocent boy he was already showing signs of snapping from the abuse he was enduring at the hands of Kenny (i. fantasizing about killing him constantly, even re-enacting it with a knife) and Abby's appearance in his life just accelerated it. Both the book and the film were created in the wake of seismic school shootings — Columbine for the former, Virginia Tech the latter — and both end with a group of bullies getting massacred at the school's pool. The only adult character who's useful at all is Mr. Zoric the gym teacher. Interestingly, the stereotypes are switched around. The only real problem I had with this version of the movie is a potential spoiler, so stop now if you don't want to know. Although, judging by how Kenny's brother, Jimmy, was forcibly holding his head down it seems that he was always planning on just killing Owen. Owen, for the most part, seems to realise her killing people is wrong, judging by his phone call to his father. Let the Right One In is a novel of vampire fiction by Swedish writer and performer, John Ajvide Lindqvist. For one thing, he only ever attacks Owen when he is accompanied by two other boys despite the fact he's considerably taller and more muscular than his short, skinny victim. Although she's been a child for a long time. When Eli coaxes Oskar into taking violent action against his bullies, it is likely a test to see if Oskar can actually do it. This is distilled from the book where there was an ongoing series of events to get there, but this is the same level as from the Swedish film. However, seeing that this hurts Owen's feelings she accepts to please him. I imagined the way he'd beg forgiveness, the way he'd sob at my feet.
It takes a very short length of time from Abby and Owen meeting each other to Owen being willing to run away with her. Wounded Gazelle Gambit: Abby pulls one of these in order to lure in a victim, pretending to have been injured so that he'll pick her up, allowing her to feed on him. Coinciding with her arrival is a series of inexplicable disappearances and murders. Considering vampire folklore revolves around sex or some form of sexual aura, Let the Right One In completely deviates from this. Now more than ever we're bombarded by darkness in media, movies, and TV. I hoped for something good to come his way.
While their relationship is portrayed, for the most part, as very sweet and innocent. A lot of the scenes take place in the snow and are very carefully and slowly set up for maximum visual impact. I was going to try and figure out some way to deem this "Twilight" for kids or something, but as if "Twilight" didn't seem neutered enough for you, man, the pre-teen children in this film get themselves mixed up in some messed up shenanigans. While I'm not always the most visual-oriented of moviegoers, I found this one to be beautifully shot. Later in the cellar scene with Owen, after he tried to initiate a friendship pact by cutting his thumb she immediately looks at him like a predator spotting prey and nearly kills him.
He's the only adult to show Owen any care/attention and encourages him to exercise to get stronger and he's the only teacher who sees what a monster Kenny is. Took a Level in Badass: A moderate example with Owen. I hate to see my baby get hurt". Demoted to Extra: Most of the mid-level characters from previous versions are excluded from this version. The lack of explanation was my biggest problem with this movie. The implication of romance comes from Hakan's jealous and antagonistic attitude toward Oskar, and his resistance to Eli's leaving the apartment to see Oskar. Sure this is a horror movie, but a little light after so much darkness would have been refreshing. Stupid Evil: Kenny and his brother's attitude towards Owen. Owen's looks coupled with his small statue are what gets him attention from bullies. It is not intended for 12-year-olds. Dragon-in-Chief: Kenny's brother, Jimmy. For example: - In his first scene he sexually harasses a girl at the swimming pool.
This Swedish horror movie also contains strong foul language and an extreme, but bizarre, partial nude shot of Eli. Parental Obliviousness: Owen's mother. This US-based remake by Matt Reeves (best known for his film, Cloverfield) called "Let Me In" has just been released. These stories formed a sort of past-time for traders, no doubt fueled by superstition and sexual repression. Asshole Victim: Owen's bullies. It's also probably the main reason Kenny calls him a "little girl". Needless to say, it pretty much ruins the impact of the character and buries the entire gender thread from the novel. Pretty Boy: Owen, he has extremely fine features, a very slender build, big blue eyes and full lips. Owen's reaction really sells it. At any rate, if I'm going to be referencing any modern rock song, especially in a discussion about a Swedish film, chances are that it's by The Flower Kings, but I don't even know if they fit here, because as this film most definitely will most definitely you, Roine Stolt is probably the only modern Swedish artist whose efforts are upbeat, or rather, not deeply disturbing to some extent. Lina Leandersson, as. Big Damn Kiss: Near the end of the film, Abby kisses Owen on the lips. She was worried because I was bullied, too. Trademark Favorite Food: Owen and his "Now and Later" sweets.
As these stories were passed down and modified, as lore does, the sexuality of the vampire came into light, starting with the Greek version depicting the vampire, "Lamia", as bisexual and the Solominic legend depicting their vampire Ornias as remarkably handsome. Also, the bullying he endures is much more brutal and violent than the kind shown in the Swedish version, which was a lot more childish than the abuse inflicted on him in this continuity. Adaptational Angst Upgrade: Owen suffers a lot more in this version than Oskar did. As in his deeply unsettling Little Star, Lindqvist is concerned with the culling and cultivation of violence and violent impulses in youth, the ways in which an innocent love can tease out a terrifying true nature.
Abby then tells him that he needs to fight back, when Owen points out there's three of them, she advises him to use the knife and when Owen asks what he should do if that isn't enough she promises shell protect him. Adults Are Useless: Owen gets blamed for hitting Kenny on the ice, despite acting in self-defense, with the principal threatening to suspend him over the incident. Budget: $4, 000, 000. He endures a lot of abuse from the bullies without fighting back until Abby encourages him to. L) From the originalbook cover; (c) from the Swedish film; Håkan's 'food order procurement' spoiled. Distressed Dude: At the end Owen is ambushed and nearly drowned by his bullies.
It's simply that Owen's so desperately lonely that he's willing to overlook those traits as long as Abby will be his friend. Considering all this, it's perhaps surprising that the film has been so embraced as a love story. Likewise, perhaps the most intriguing thread in the Lindqvist novel, effectively digested (yet toned down) in the Swedish film, is only to be obliterated in the flat, generic English remake (the vampire even wears uber cliche white contact lenses when she's thirsty... scaaaary). Thomas, he's treated like a slave by Abby and he endures a lot of verbal abuse from her without complaint. A third way that Eli is parallel to classic vampires, say Dracula, is that Eli is cut off from human society in a profound way. It's a Rubik's Cube. He does so on a field trip when he smashes a pole into a bully's ear, splitting it open and spilling blood. This exactly how Owen interactions with the bullies play out for the rest of the film, he defends himself against Kenny by hitting him with a stick, when they come for revenge Owen grabs his pocket knife and when they overpower him, Abby intervenes and kills them. So, you can't really blame him for wanting to throw in his lot with Abby, despite the fact she's a vampire who kills people. Lonely, 12-year-old Oskar is regularly bullied by his stronger classmates.