I could've set you free. Oh, how alone I've become oh, oh. It's pointless (no one's gonna love me) like tears in the rain. Embrace all that comes (oh, embrace all that comes no, no). Embrace all that comes (oh, no one's gonna love me, no one's gonna love me).
So now that she's gone (oh, baby, now that she's gone, baby). And die with a smile (oh, woah, oh, yeah). And I deserve to be by myself. 'Cause no one will love you like her. It's pointless like tears in the rain (now no one's gonna love me no more).
It's pointless, like tears in the rain. So now that she's gone (hoo baby). Now every girl I touch. Published by: Lyrics © Universal Music Publishing Group, CONCORD MUSIC PUBLISHING LLC, Downtown Music Publishing, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc. -. And when it's said and done. And I started too young. End up dying by itself. I should've let you leave. Like tears in the rain (like tears in the rain). It would be too late.
Like tears in the rain, hmm.
'Cause I've gone too far. They all feel the same (away, ooh ooh ooh). But, I'm selfish, I watched you stay. And die with a smile. You don't show the world how alone you've become. You were better off. 'Cause no one will love me like her (oh no, baby). And I let it end up.
Of the life she had without me. She forgot the good things about me. You don't show the world how alone you've become now (no one's gonna love me back). They all feel the same (hoo, hoo baby, hoo, hoo baby). Written by: Ahmad Balshe, Jason Quenneville, Danny Schofield, Abel Tesfaye. 'Cause no one will love you like her (no one's gonna love me).
Adjust to the fame (hoo hoo, yeah). Adjust to the fame (adjusted to the fame). No one's gonna love me no more. They all feel the same (mhm, mhm). Embrace all that comes. But, I let you, watch me slip away (yeah). It's so sad it had to be this. She let it slip away, away. And even if I changed. You don't show the world how alone you've become (I'm not gonna show the world). I already felt love. Alone you've become. Hoo hoo, hoo, baby). She has no recollection.
Another angler prepares a flare gun, but he slips and shoots it accidentally into the deck, which is soaked with gasoline dropped earlier by the boy, causing the vessel to burst into flames and then explode; everybody onboard is killed. Men are mauled to death since they are regarded as territorial threats. Audience: boys' night. It's a clear indicator as to what New World wanted out of it, which was a balls-to-the-wall genre film that could stand toe to toe with films like Alien (which the final shot of Humanoids from the Deep is clearly influenced by). The first demonstration of this trait takes us by surprise: a young, attractive couple is frolicking along the beach, when the boy is pulled underneath the surface and instantaneously disfigured (this action is subsequent to the four times the boy has pretended to be pulled underneath the surface by an unseen monster). REVIEWED By Marjorie Baumgarten, Wed., June 13, 2001.
So this movie stars lantern-jawed Doug McClure, who was in the Guys in Rubber Monster Suits phase of his career, and Ann Turkel, who was about to start the TV Guest Star of the Week phase of her career. The girl will flail and scream back toward the relative solace of the beach. Country: USA, Japan. Humanoids From the Deep arrived at the tail end of the drive-in exploitation boom, with its theme of ecological mayhem brought about by negligent scientists and depressed economic circumstances. Moon in Scorpio1987. Denise Galik as Linda Beale. The Curse of Bigfoot1976. Not bad to see a woman directs a more or less anti-women movie even though Corman hired someone else to shoot extra sleaze-footage. Posted on 30 October 2008. In the waters off the coast of a small California town there is something lurking beneath the water making its presence known. This version has Robert Carradine as Wade and while he undoubtedly looks completely silly with the beard and mullet and trying to act tough, its the annoyingly nasal voice of Lewis from Revenge of the Nerds you hear coming from Wade's mouth that ruins every scene he has dialogue in.
The sleepy town of Noyo, California has fishing (and some other stuff) in its DNA, and so it makes sense that most of the plot of the film revolves around the subject, specifically the controversy about an intended cannery. But they hunt human women. As mentioned previously, the director Barbara Peeters would disown her work on Humanoids from the Deep despite its success. Just as bothersome, several locals are attacked, killed or raped by slimy fishmen and right before the annual Salmon Festival, too! The tools are the same, namely jump scare noises, horror music stings, and buckets of slime. Sound effects have decent impact and James Horner's score offers the most clarity overall. More than that, the whole thing is just ludicrous beyond belief; it's highly doubtful that such creatures would want to mate with humans anyway. The carnival scenes are particularly bad, the clumsy editing not able to hide the fact that footage shot 16 years apart is being used. But be warned there is a rape scene in the film, for those who need that trigger warning.
It seems that Vic is doing a Boston accent without anybody telling him the movie takes place in Northern California. The parasite has the ability to affect people's minds, so survivors can't be certain who is safe and who is infected. And they shamble so slowly that only beach-goers with minimal foot speed have anything to worry about. The Final Score - 5/10. One particularly silly/unnecessary scene involves a tent, a buxom young lass, and a ventriloquist. In 1980, he produced a little monster movie, inspired by Jaws and his own production Piranha, that would become one of the more controversial of his career: Humanoids from the Deep, a movie about fish monsters who come ashore to impregnate nubile young women. There is a trans character who is played so broad, however, that almost undoes whatever seriousness the film was trying to achieve. In many ways, it also feels like you're watching an Italian horror product!
There's a crane shot during this sequence that is a thing of beauty and offers a bird's eye view of everything going to hell. The Dead Don't Die1975. To illustrate its derivation, let's compare a humanoid from the deep with a great white shark. Given that, however, it's not a film you want to examine too closely or think about too hard. The creatures begin attacking teen couples, killing the boys and mating with the girls (in some pretty graphic monster-rape scenes). Also of note is the listing in the credits of Gale Ann Hurd as a production assistant. I've been on somewhat of a roll with my Amazon Prime monster movies lately, so when I saw this 1980 Roger Corman-produced amphibious monster cult classic, I knew what I was doing for the evening, beer in hand. This is important to note, because in construction it is easily confused with a film about a great white shark.
Place: usa, latin america, mexico. Blacks are deep and saturation is potent, particularly at the outdoor festival towards the end, which is rich with multiple hues in every direction. There's literally something fishy about this little beachside community, as a vacationing couple get entangled with a curious beachside community ritual. Attack of the Beast Creatures1985. The trouble starts early when we are introduced to a bunch of obnoxious college pukes who are protesting Canco doing something or other. A total seahag of a movie, with its aggressively dumb premise, woeful cast (but be on the lookout for an early appearance by Walton Googins), failed updating of the story that misuses the monsters and sands the ugly edges off the proceedings to presumably make it more palatable for a 1990s cable TV audience (which is absurd since most of us likely saw the original on cable TV in the 1980s and didn't suffer PTSD) result in a movie that's far more offensive than the original ever was.
The town's police chief and a government scientist team up to stop the monster, which is quickly killing off the town's citizenry. Plot: space travel, alien, monster, space and aliens, distopia, evil alien, strong female lead, robot, apocalypse, strong female character, survival, creature... Time: future, 24th century. There's a juicy amount of gore in this movie with bloody rippings, slashings and an especially good decapitation, all of it good work from Rob Bottin who soon went on to do his brilliant work for The Howling and The Thing. The climax though, as the creatures rampage through a fairground, is really well staged and is sustained for a decent length too. Plot: monster, creature feature, sea, scientist, mutant, nuclear, octopus, alien, sea monster, female nudity, violence, ogre... 37%. Plot: eaten alive, dangerous animal, deadly creature, creature feature, river, giant snake, monster, shark, experiment gone awry, survival, mutant, piranha... Story: The US military is running a test for a special type of radio transmitter, to be used to communicate with submarines, in a deep system of underground caves in Central America.
The tonal balance of the film weaved all over the place. In 1987, rumor has it that mysterious sea creatures called Aquanoids were responsible for 17 vicious deaths. The high pitched squealing they do can get a bit much to have to listen too but it's positively music to the ears compared to the screaming that occurs during the festival attack. But the sharktopus escapes and terrorizes the beaches of Puerto Vallarta.
This goes on for ages. Alex and Deb bail the party early, and head back to the beach house to be rid of the cryptic locals, and discover a bit of history of the town that suggests what might be happening. Of course, this panic is outlasted by continual and erroneous thefts from other, better films, and having exhausted about every single one of Jaws' influences, Humanoids concludes in an epilogue taken directly from Alien. Worrying about the performances, which are not of the highest caliber, is not all that important. Story: A rural Colombian village is attacked by a horrible sea serpent, aroused by industrial pollution of a nearby lake. An old lady hangs off the collapsed dock and wouldn't you know it, a slow-ass Humanoid picks the farthest away part of the dock to slowly climb after her? Uneven grain is present early on, but smoothes out as the film continues. Last edited by BoG on Wed Jan 28, 2015 3:17 pm; edited 3 times in total. The Deep Ones is a bit of a throwback to the Full Moon Video days of Stuart Gordon. Style: scary, semi serious, bleak, suspenseful, psychotronic... Directed by Barbara Peeters.