Narrator: Hurston chose long-time mentor and Journal of American Folk-Lore editor Ruth Benedict, Franz Boas and three others—people she felt supported her goals—to submit recommendations. Zora (VO): Mama exhorted her children at every opportunity to "jump at de sun. Half of a yellow sun streaming vostfr movie. " And that was super sophisticated. The Exception is well acted, (which may come as a surprise to some people when it comes to Jai Courtney) but oddly made. Hurston (Archival VO): I learn 'em. There are so many sections of it that don't really center Haitian perspectives about their own culture in the way that she does with her ethnographies that are centered in the American South. Charles King, Political Scientist: She could be insufferable.
Tiffany Ruby Patterson, Historian: She ends up back in the community of Black people. It was a case of "make it and take it. Narrator: Mason supported other writers and artists of the Harlem Renaissance, including Howard professor Alain Locke. María Eugenia Cotera, Modern Thought Scholar: She is agreeing to certain strictures on the Osgood Mason side, and while at the same time reaching out to Boas and keeping those fires lit. I think it gives a lot of minoritized people access and legitimacy to the work that they most value, which is to go into their own communities. Zora (VO): The men and women who had whole treasuries of material just seeping through their pores looked at me and shook their heads. There are certain presentation choices that seemed very bizarre to me, but not dealbreakingly so. Narrator: Over several months she spent time with Lewis, who was in his late eighties, in Africatown, the community he co-founded after the Civil War with other West Africans. She looks like a Black Annie Oakley. Okay, you're acting like white people. Eve Dunbar, Literary Scholar: Janie's a storyteller. Half of a yellow sun movie. Irma McClaurin, Anthropologist: Zora is doing a gender analysis. If you're going to study Hoodoo or Voodoo, you had to do it from the inside, and so, she went through at least four initiation rituals.
Boas had convinced pre-eminent Black scholar Carter G. Woodson, director of the Association for the Study of Negro Life and History, and wealthy sociologist and anthropologist Elsie Clews Parsons to fund her trip. Like, we're not going to do this, because I've been there before. She was not somebody who could work well for very long for anybody else. And so you just watch what happens to Black women who almost always live in precarity in this society. Carla Kaplan, Literary Scholar: It wasn't just that Zora Neale Hurston lost a meal ticket. She's talking about Black culture, not just in the United States, but in the Caribbean, as well. Charles King, Political Scientist: She's playing a drum. Half of a yellow sun streaming vostfr hd. Irma McClaurin, Anthropologist: They decide, and this is the language that is in some of the correspondence, that "Zora Neale Hurston is like a rough piece of iron that needs to be honed into a fine piece of steel. " They – to give emphasis – use the noun and put the function of the noun before it as an adjective. He really wanted to bring more scientific accuracy in the description of other cultures. She doesn't belong, so she has to figure out how to get inside of it. Tiffany Ruby Patterson, Historian: Her father was very domineering. Hurston (Archival VO singing "Crow Dance"): …Oh Mama come see that crow, CAAAWW!
Lee D. Baker, Anthropologist: Eatonville shaped Zora Neale Hurston's worldview from the beginning, and what it did more than anything else is it showed that Black lives mattered. Narrator: In 1931 the Journal printed Hurston's one-hundred-page article, "Hoodoo in America, " which began cementing her as the American authority on the topic. Watch Zora Neale Hurston: Claiming a Space | American Experience | Official Site | PBS. Zora (VO): How much satisfaction can I get from a court order for somebody to associate with me who does not wish me near them? Charles King, Political Scientist: Hurston is reporting on a set of experiences that she had, using the first person. The men have to take these lining bars to get it in shape to spike it down. 50, no job, no friends, and a lot of hope.
She's really articulating a theory of how she views Negro culture at that moment in time. IIrma McClaurin, Anthropologist: Zora studied her own people, which is not something that is supported in anthropology at that moment. Lee D. Baker, Anthropologist: Anthropology is an old discipline. Carla Kaplan, Literary Scholar: Charlotte Osgood Mason was somebody who believed deeply that white American civilization was bankrupt and washed out, and that the key would come from what she considered "primitive peoples. " Hurston used his African name, Oluale Kossola, to greet the man who had vivid memories of his capture.
They played it well too. Zora (VO): I am getting much more material than before because I am learning better technique. Narrator: That Fall Mules and Men hit the stands. Bootleggers always have cars. After writer Alice Walker read Their Eyes Were Watching God, she began a journey into Hurston's life, work and death that catalyzed another Hurston rescue—this one led by literary scholars, Black women. She fought for us in her writing. I see it this way. " She mixed memory, history, personal experience, fiction, and research into a story told through the eyes of a southern Black American girl-turned-woman named Janie Crawford, who lives part of her life in Eatonville. That they had no past; they had no future. Whether it's a juke joint or a turpentine camp or a lumber mill or a hoodoo initiation ritual, she's taking you as a reader into a society that she as a scientist is desperately trying to understand. Zora (VO): I went outside to join the woofers, since I seemed to have no standing among the dancers. Daphne Lamothe, Literary Scholar: There are scenes where some of the very stories that she collected when she was doing fieldwork in Eatonville are incorporated into the plot. I think that was an important form of resistance. Zora (VO): There were no discreet nuances of life on Joe Clarke's porch.
Zora (VO): I hurried back to Eatonville because I knew that the town was full of material and that I could get it without hurt, harm, or danger. Narrator: Four months later from a small, secluded cottage she rented in Eau Gallie, Florida, Hurston updated Boas writing, that she was "sitting down to write up" the "more than 95, 000 words of story material, collection of children's games" and conjure and religious material. It would be like trying to get a shooting star into a mason jar. María Eugenia Cotera, Modern Thought Scholar: It wasn't until she encountered anthropology at Barnard and Columbia, that she really began to see her culture as something that could be studied. Charles King, Political Scientist: Florida, in the Jim Crow era, was the heart of darkness. And the more they tell her that the more she wants to hear it. The next year, her friend anthropologist Jane Belo asked her to conduct research on religious trances in Beaufort, South Carolina. Franz Boas, a German Jewish immigrant to the United States rejected their methods and conclusions. Narrator: The inclusion of Boas's text nevertheless helped the publisher promote the critically-acclaimed book. Irma McClaurin, Anthropologist: Not only do they like it, they pick up a guitar and they start putting it to music. Dearest, little mother of the primitive world, take care not to overtire yourself abroad.
I have inserted the between-story conversation and business because when I offered it without it, every publisher said it was too monotonous. Music (Archival VO singing/clapping): … Catch this guy. Mule on the Mount Call him Jerry. I was shifted from house to house of relatives and friends and found comfort nowhere.
Lee D. Baker, Anthropologist: Zora Neale Hurston's autobiography is itself, "featherbed resistance": she's wearing a mask; it's a pack of lies.
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