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Anderson & Roe play Wellington's Michael Fowler Centre on Saturday as part of the NZ Festival. They are profiled in Nick Romeo's book, Driven. On January 14th, 2021, Tippet Rise streamed Anderson & Roe's 2019 performance. All shows are at the Marina Civic Center, 8 Harrison Ave., Panama City. Mr. Roe left an indelible impression at The Juilliard School, where they both earned their bachelor's and master's degrees. This led into another Hallelujah, that by Leonard Cohen, in which, with both pianists at one piano, gave us a most affecting set of variations that retained the mood of the Cohen original to uncanny effect. Also marking Bernstein's centenary, a suite from West Side Story was burdened by a welter of heavy bass rumblings and enough glissandi for a Guy Fawkes celebration. Greg Anderson appeared on From the Top Show 21 when he was 18 years old. For the next piece Anderson and Roe drew from the traditional classical repertoire, Sergei Rachmaninoff's Suite No. As much as we might love the Quintet, in Anderson and Roe's keenly focused musical lens, this music had a gravitas and allure that was both unsettling and compelling. It was but the price to pay was hearing the tempo pulled like taffy. 4 in F minor and No.
Anderson and Roe's new approach was evident from the beginning when they opened with Grand Scherzo, their own arrangement of several arias from Wolfgang Amadeus Mozart's opera, Cosi fan Tutte. Explosive creativity... refreshing... exuberant... volatile and thrilling. Reviewer: William Dart. The duo aims to make classical music a relevant and powerful force around the world, their recent albums When Words Fade, An Amadeus Affair, and The Art of Bach have all received critical acclaim, spending several weeks at the top of the Billboard classical charts. They bantered in the spirit of this marvelous dance piece, adding their own choreography by switching benches without missing a beat and Roe dashing across the stage to end on the second piano. Like many works of the minimalist genre, Halleluja Junction features a rapid and powerful motif that constantly repeats itself like the sound of a freight train zooming down a track.
Sheri Linden, Hollywood Reporter. Greg Anderson & Elizabeth Joy Roe are Steinway Artists. BRAHMS / ANDERSON & ROE | Wegenlied "Good Evening, Good Night, " op. Ring ahead to avoid the crowd... it's that simple! The concert features works from two iconic 20th century pieces: Stravinsky's Rite of Spring and Bernstein's West Side Story, with works by Gluck and Piazzolla in between.
The actual encores were the high point of the second part of their program: a highly energetic version of America from West Side Story by Leonard Bernstein and a colorful, special effects-laden Libertango by Astor Piazzolla. Anderson & Roe (piano duo). Orchestral Repertoire. Puccini's fully staged masterpiece performed by an international cast of the acclaimed Teatro Lirico d'Europe touring opera company.
Bizet fared worse in their 13-minute Carmen Fantasy, inspired by an operatic heroine whom Roe told us was a very saucy minx, whose carryings-on had provided juicy material for them. The title character is one of the defining roles in opera. Mathieu Gaudet will be replacing her. I found myself becoming emotional, which, thanks to our musical over-saturation, rarely happens to me. Gregory Sullivan Isaacs, DFW. Additionally, they have appeared at the Gilmore and Gina Bachauer International Piano Festivals, the Mostly Mozart and Styriarte Festivals, and at dozens of summer chamber music festivals. On cue and urging them to jive to the music. Anderson and Roe hit some high notes at Four Arts. Developed from the ever popular MGM screenplay, this production contains the beloved songs from the Oscar–winning movie score, all the favorite characters and iconic moments, plus a few surprises along the way, including new songs by Tim Rice and Andrew Lloyd Webber.
Over eight variations, Anderson and Roe provided technical and musical gymnastics to Cohen's song, and it allowed them to show off the highest levels of interpretation and performance technique. 30 general public/$10 students with valid IDSold Out. In his day, Franz Schubert turned several of his popular songs into sets of variations that show up in his longer works. John Lennon & Paul McCartney (arr. CHECK OUT OUR MOST RECENT PRINT EDITION. Wolfgang Amadeus Mozart. The tone of the two pianists was complementary: Roe's was bright and clear whilst Anderson's was warm and rich. CHRISTOPH WILLIBALD GLUCK - Ballet from Orphée et Eurydice. The acclaimed Anderson and Roe Piano Duo returned to Palm Beach Wednesday, this time for a concert at The Society of the Four Arts. This concert was recorded by RNZ at the Auckland Town Hall on March 10, 2018. A spectacular, magical, dazzling high-tech story of adventure and romance performed by illuminated characters in a darkened theater.
As the Northwest Reverb recently stated, [Anderson & Roe] swept the audience into a cheering mass of humanity, making a strong case that playing piano is the most fun thing that two people could ever do together. While one may prefer the piano quintet version because of its varied timbral palette, moments of quietly intimacy as in the beginning of the first movement's development section and the building climaxes of the scherzo are more effective in the two piano version, especially when performed as masterly as Anderson and Roe did.
Thiele & Weiss / Anderson & Roe: What a wonderful world. Laurence Vittes, Audiophile Audition. Undulating walls of Forest Stewardship Council–certified wood, covered with a thin layer of African moabi wood, provide optimal acoustics, and the hall is equipped with state-of-the-art sound and video equipment for recording. Greg Anderson (Anderson & Roe). They are more than welcome to stay.
It was a perfect ending for a concert that started with an elaboration on Mozart. This time we filmed in a cavernous woodshed on site, which was impressively lit by John Frisbie. ANDERSON & ROE CONJURE BACH AND RADIOHEAD AT THE END OF CIVILIZATION. First was Halleluja Junction, a piece for two pianos by minimalist contemporary composer John Adams. Together they have appeared on MTV's Total Request Live, NPR's All Things Considered and From the Top, APM's Performance Today, the Cliburn Concert Series, the Gina Bachauer International Piano Festival, and dozens of summer chamber music festivals. They brought their act to Evanston and regaled a sold out crowd in front of Galvin Hall's amazing backdrop of Lake Michigan and the Chicago skyline. The first two works in the second half centered on "Halleluja. " GLUCK / ANDERSON & ROE | Ballet from Orphée et Eurydice.
SCHOENFIELD |"Boogie" from Five Days from the Life of a Manic-Depressive. For their New Zealand debut, the duo offer two dynamic programmes that either explore the explosive energy of two pianos or the rich intimacy of four hands playing a single keyboard. 70 Arts Circle Drive. Piazzola / Anderson & Roe: Libertango. Both "Hallelujah" and the final programmed work, a treatment of John Lennon and Paul McCartney's "Let it Be, " sought understanding in the chaos of the world in times of trouble. Completely in style and wonderfully played, it led into the one piece unarranged by the duo, John Adams' 1996 work Hallelujah Junction, a terrific piece of minimalism, tempered by shifts in tonality and dynamics that contrasted with the extreme minimalism we heard the night before from Sarah Watkins and Stephen De Pledge in Steve Reich's Piano Phase. "Ave verum corpus, " K. 618. This substantial opening piece, with the Royal Liverpool Philharmonic Orchestra filling the stage, was played with rhythmical precision throughout.