The melody notes and melodic curve usually stay the same, but may change. "Waiting on a Friend" was first recorded for The Rolling Stones' 1981 album Tattoo You and featured a legendary Sonny Rollins solo. Please enter a valid e-mail address. The purchases page in your account also shows your items available to print. Maybe you used an alternative e-mail address or you have not registered as a customer? Beat 4 is a first-inversion of an E minor triad, or a variation of E. minor pentatonic, beat one of G major is a descending G maj 7 chord, and the. I haven't figured out the verse yet). Video and PDF Download. There are 3 pages available to print when you buy this score. Redman applied a motific development technique known as diminution when quoting "St. " Diminution is defined by Hal Crook as: ". My favoriate aspect of this excerpt is how Redman pushes and pulls on the time. Username: Your password: Forgotten your password? For me, these descending 7th-like chord sequences are a defining aspect of the solo. 2-2-2-2--3--x--3--3-----.
Waiting On A Friend. Waiting on a Friend is written in the key of C. Open Key notation: 1d. Not available in all countries. Find similar songs (100) that will sound good when mixed with Waiting on a Friend by The Rolling Stones.
This "laid back"-feel is further highlighted and contrasted with the staccato 8th notes that immediately follow. These are often inversions. What makes this moment even more remarkable is the musicality with which it is accomplished: it fits seamlessly within the surrounding context -- something that's hard to pull-off with any quote, even if 100% spontanous. Just click the 'Print' button above the score. This particular performance can be heard on The Rolling Stones' 1998 album No Security.
Beat three, however, is an E minor 7 chord descending from the 7th, and beat four is an implied A7. After "I'm just trying to make some sense": --0-0-0---0-. If you believe that this score should be not available here because it infringes your or someone elses copyright, please report this score using the copyright abuse form. I have detailed a few of my favorite moments below. Chordsound to play your music, study scales, positions for guitar, search, manage, request and send chords, lyrics and sheet music.
Beat one is a G triad and beat two is an E minor triad starting with the 9. Articulation, along with time-feel, can be thought of as akin to a musical finger-print: no two people articulate exactly the same way. Redman also plays a few other four-note descending arpeggio-like 16th lines. Best Keys to modulate are G (dominant key), F (subdominant), and Am (relative minor). 3-3-3-3-------------2-3-. Below are a few examples: Here, Redman plays this motif in three consecutive beats. This line features a number a great articulation techniques as well as varied note lengths and motivic development.
While reading and listening to the line below, notice how a backup singer bends into to a note and then follows it with a descending line. Some musical symbols and notes heads might not display or print correctly and they might appear to be missing. This may be more clear with listening to it in context, and not just from the clip below.
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