What makes this moment even more remarkable is the musicality with which it is accomplished: it fits seamlessly within the surrounding context -- something that's hard to pull-off with any quote, even if 100% spontanous. For me, these descending 7th-like chord sequences are a defining aspect of the solo. Find similar songs (100) that will sound good when mixed with Waiting on a Friend by The Rolling Stones. This solo is a showcase of articulation brilliance. Be sure to purchase the number of copies that you require, as the number of prints allowed is restricted. Below are a few examples: Here, Redman plays this motif in three consecutive beats. He doesn't over do this, but it happens enough times to make the case that this is part of his vocabulary.
Loading the interactive preview of this score... This line features a number a great articulation techniques as well as varied note lengths and motivic development. The next three beats demonstrate the descending 7th chords, each of which he played earlier in the solo, as seen in the previous. After making a purchase you will need to print this music using a different device, such as desktop computer. Username: Your password: Forgotten your password? "Waiting on a Friend" was first recorded for The Rolling Stones' 1981 album Tattoo You and featured a legendary Sonny Rollins solo. Interestingly, the songs are in the same key, C major.
Maybe you used an alternative e-mail address or you have not registered as a customer? This is an old "blog" post that I wrote many years ago. Next beat is a permutation of an E minor 7 chord. Redman's solo masterfully walks the line between jazz and pop by blending grace notes and bends with traditional bebop-esque jazz vocabulary. In an ingenious move during his second solo, Redman acknowledges Sonny Rollins, the original soloist on this song. This score is available free of charge. Rollins is renowned for quoting melodies and tunes in his improvisations, which makes this a fitting tribute to the master. Best Keys to modulate are G (dominant key), F (subdominant), and Am (relative minor). After making a purchase you should print this music using a different web browser, such as Chrome or Firefox. As you'll see below, he plays a descending E minor 7th chord most often. Beat 4 is a first-inversion of an E minor triad, or a variation of E. minor pentatonic, beat one of G major is a descending G maj 7 chord, and the. About half-way through we hear Redman quote Sonny Rollins' most well-known composition, "St. Thomas. " Get Waiting on a Friend BPM. In order to submit this score to has declared that they own the copyright to this work in its entirety or that they have been granted permission from the copyright holder to use their work.
It looks like you're using Microsoft's Edge browser. This "laid back"-feel is further highlighted and contrasted with the staccato 8th notes that immediately follow. Please enter a valid e-mail address. 2-2-2-2--3--x--3--3-----. The melody notes and melodic curve usually stay the same, but may change. Compatible Open Keys are 2d, 12d, and 1m. Some musical symbols and notes heads might not display or print correctly and they might appear to be missing. If you believe that this score should be not available here because it infringes your or someone elses copyright, please report this score using the copyright abuse form. I haven't figured out the verse yet). My favoriate aspect of this excerpt is how Redman pushes and pulls on the time. Waiting on a Friend is written in the key of C. Open Key notation: 1d. You'll find below a list of songs having similar tempos and adjacent Music Keys for your next playlist or Harmonic Mixing. Redman also slyly pays homage to the original soloist, Sonny Rollins, with an ingenious quote about half-way through.
Chordsound to play your music, study scales, positions for guitar, search, manage, request and send chords, lyrics and sheet music. While reading and listening to the line below, notice how a backup singer bends into to a note and then follows it with a descending line. To download and print the PDF file of this score, click the 'Print' button above the score. Sorry, there's no reviews of this score yet. Specify a value for this required field. This particular phrase makes use of: 1) varied articulation, 2) tension and release, and 3) grace notes.
Articulation, along with time-feel, can be thought of as akin to a musical finger-print: no two people articulate exactly the same way. This particular performance can be heard on The Rolling Stones' 1998 album No Security.
Redman applied a motific development technique known as diminution when quoting "St. " Diminution is defined by Hal Crook as: ". This example also features a plethora of Redman-esque techniques. After "I'm just trying to make some sense": --0-0-0---0-.
These are often inversions. Guess does Redman plays just two beats later? Notes in the scale: C, D, E, F, G, A, B, C. Harmonic Mixing in 1d for DJs. Redman stretches the time on the two eighth notes on beat-one of the third measure in this example. Beat three, however, is an E minor 7 chord descending from the 7th, and beat four is an implied A7.
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