The result, released theatrically, is at times shocking—a chaotic portrait of a city engulfed in social and political turmoil. Select a Theater Chain. Suddenly a suspect, Katharina is subject to a vicious smear campaign by the police and a ruthless tabloid journalist, testing the limits of her dignity and her sanity. Interactive events, industry collaborations, and one-of-a-kind experiences.
Glückstadt, in Northern Germany; Bonn; a palace along the Rhine; a housing project on the outskirts of Frankfurt; and finally the Zugspitze—these are the stations of the journey that the young Wilhelm Meister (Rüdiger Vogler) hopes will save him from the gloomy irritability and despondency that plague him in his hometown. William Cameron Menzies. 144 West 125th Street, (212)864-4500. Overall, the work in the exhibition is abstract and spare, giving the problematic "outsider" category a new spin. A darkly comic portrait of late Thatcher-era London, High Hopes examines the different lives of a pair of siblings: Cyril (Philip Davis), a caustic motorcycle courier who takes pride in his working class roots, and Valerie (Heather Tobias), a high-strung aspirant to upper-middle class materialism. A raw indictment of its nation's wartime mentality as well as a personal existential tragedy, Kobayashi's riveting, gorgeously filmed epic is novelistic cinema at its best. Lamb's Theater, 130 West 44th Street, Manhattan, (212)239-6200. He finds four former lovers, including Sharon Stone and Jessica Lange, and reveals once again that he is the quietest and finest comic actor working in movies today. Their program includes Messiaen's otherworldly "Visions de l'Amen" and works by Gyorgy Kurtag, Shoko Shida and Philip Glass. In Rohmer's first color film, a bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. Prey for the devil showtimes near clinton 8 theatre clinton iowa. They while away their time spending the lira doled out by their indulgent families on drink, women, and nights at the pool hall. MARIO PAVONE QUINTET (Wednesday) Mr. Pavone, a bassist with an expansive worldview, leads a group that includes Mike DiRubbo, alto saxophonist; Jimmy Greene, tenor saxophonist; Peter Madsen, keyboardist; and Gerald Cleaver, drummer. Sunday's feature is "Children of the Beehive" (1948), a semidocumentary about war orphans and a homeless veteran trying to survive.
Two heartsick Hong Kong cops cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye works. King's Blues Club and Grill, 243 West 42nd Street, Manhattan, (212)997-4144; $22 in advance, $25 at the door. The two manage to thrive together amid the decay and disorder of their East Hampton, New York, mansion. Prey for the devil showtimes near clinton 8 theatre.com. Stefan Stux Gallery, 530 West 25th Street, (212)352-1600, through Oct. (Smith). By turns tragic and transcendent, Akira Kurosawa's _Dodes'ka-den_ follows the daily lives of a group of people barely scraping by in a slum on the outskirts of Tokyo. 'THE PHANTOM OF THE OPERA' Who was that masked man, anyway?
Austria's Oscar Entry. With a 12:30 set tomorrow night, Village Vanguard, 178 Seventh Avenue South, south of 11th Street, West Village, (212)255-4037; cover, $20 to $25, with a $10 minimum. For her award-winning breakthrough film, director Gillian Armstrong drew on teenage author Miles Franklin's novel, a celebrated turn-of-the-twentieth-century Australian coming-of-age story, to brashly upend the conventions of period romance. Des McAnuff directs (2:30). Wim Wenders's Kings of the Road is about a friendship between two men: Bruno, a. k. a. In Jean Renoir's satire of the bourgeoisie, Michel Simon gives one of the most memorable performances in screen history as Boudu, a Parisian tramp who takes a suicidal plunge into the Seine and is rescued by a well-to-do bookseller, whose family decides to take in the irrepressible bum. Guided by an avuncular Communist organizer, he is introduced to the underground resistance—and to the beautiful Dorota. Ambitious, optically captivating collages by Mary Fielding McCleary and Anita Breitenberg Naylor are among the few pieces that exceed familiar generic limitations. Matthew flees the attack on the World Trade Center only to find an impatient wife at home and a group of reporters looking to turn him into a hero. The blind swordsman wanders into a town to celebrate the New Year. With the golden-voiced Ruth Ann Swenson as Micaela, the powerful tenor Marco Berti as Don José and the insightful conductor Philippe Jordan on the podium, there seem good reasons to revisit Franco Zeffirelli's overdone production. Movie Times by Theaters. DARIA FAIN (Thursday through Saturday) Ms. Fain's new work, "Germ, " is about how things form.
DCP, 35 mm, Blu-ray. Two strangers dressed as minstrels (Arletty and Alain Cuny) arrive at a castle in advance of court festivities—and are revealed to be emissaries of the devil, dispatched to spread heartbreak and suffering. After returning to Los Angeles from France in 1979, Agnès Varda created this kaleidoscopic documentary about the striking murals that decorate the city. Netherlands, Made in collaboration with Alberto Lattuada, Federico Fellini's directorial debut unfolds amid the colorful backdrop of a traveling vaudeville troupe whose quixotic impresario (Peppino De Filippo) is tempted away from his faithful mistress (Giulietta Masina) by the charms of an ambitious young dancer (Carla Del Poggio). In-depth dialogues with festival filmmakers & their creative collaborators. Troubled by his violent past, Zatoichi begins a journey to a series of shrines for a dose of cleansing spirituality. New 4K Restoration | Q&A with Cauleen Smith on March 17 at 6:30pm. Spending most of her days at home following the birth of her son but curious as ever about the people and places that surrounded her, Agnès Varda found inspiration for Daguerréotypes just outside her door: on Paris's rue Daguerre, where she had lived and worked since the 1950s. Q&As with Chris Smith, Robert Downey Jr., Susan Downey, and Kevin Ford on Oct. 10 & 11.
AMC loves a good party! North American Premiere · Q&A with Abbas Fahdel on Oct. 11. 'DEDICATION, OR THE STUFF OF DREAMS' Portraying a terminally ill, rancidly rich misanthrope in Terrence McNally's play about a small-town children's theater troupe, Marian Seldes is a snappy advertisement for the time-defying benefits of a religious devotion to theater. 'FALSTAFF' (Tomorrow and Tuesday) The attention to detail that characterizes this production is truly unusual: it's well cast, well acted and well conducted by a masterful James Levine. Belott pursues more low-tech methods in painted collages, handmade books and a touching slide show of images from other people's lives. M., Context Studios, 1 North 12th Street, Williamsburg, Brooklyn, (212)674-8194, ; $12 (La Rocco). ARNO RAFAEL MINKKINEN: 'VINTAGE PHOTOGRAPHS, 1970-1980' Since the early 1970's, this Finnish-born photographer has been shooting parts of his nude body, mostly in conjunction with natural sites, his obsession leavened by humor. An aging actor returns to a small town with his troupe and reunites with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all, in Yasujiro Ozu's color collaboration with the celebrated cinematographer Kazuo Miyagawa. An inventive short portrait of French swimming champion Jean Taris. The Pearls of the Crown rockets through four centuries of European history with imaginative, winking irreverence. Ms. Farrow plays a comatose woman surveying, in her apparently still-active mind, an unhappy life.
For nearly five years, acclaimed German filmmaker Werner Herzog desperately tried to complete one of the most ambitious and difficult films of his career, Fitzcarraldo, the story of one man's attempt to build an opera house deep in the Amazon jungle. This play by the Canadian playwright Daniel MacIvor, who has written elegant, suspenseful dramas like "Monster" and "Never Swim Alone, " is about three sisters who return home to care for their mother (2:00). Hanes's shuddering alto functions alternately as a weapon and a whip-cracking come-on. A stream-of-consciousness bedtime story? The independent, unsentimental Omocha and her sister, the more tradition-minded Umekichi, are both geishas in the working-class district of Gion. M. (with an 11:30 set tonight and tomorrow night), Jazz Standard, 116 East 27th Street, Manhattan, (212)576-2232; cover, $25 to $30. During a Sunday trip into war-ravaged Tokyo, Yuzo and Masako look for work and lodging, as well as affordable entertainments to pass the time. Hollywood 20 Cinema. Scandinavia House, 58 Park Avenue, between 37th and 38th Streets, (212)879-9779; $8. In this gently devastating drama, a critical breakthrough for Naruse, he contrasts the life of an aging geisha, whose angry teenage son is ashamed of her profession, with that of her youthful counterpart, a lovely young girl resentful of her family for forcing her into a life of ignominy.
'BROKEN FLOWERS' (R, 105 minutes) Sweet, funny, sad and meandering, Jim Jarmusch's new film sends Bill Murray's aging Don Juan out in search of a son he never knew he had. Two young schoolboys, Dara and Nader, are friends until Dara returns Nader's notebook torn and Nader retaliates in kind, setting off an escalating battle that leads to destruction of property and physical injury. I was curious to see if I could discover something from this time, whether something was left of his work, images perhaps, or people, even... Or if in the twenty years since Ozu's death so much had changed in Tokyo that there was nothing left to be found. " But all possible escape routes lead straight to hell—literally. North American Premiere · Q&As with Kelly Reichardt and Hong Chau on Oct. 5 & 6.
'MEDEA' Sure, she gets most of the attention, but let's take a moment to acknowledge Jason, who, as embodied by Lawrence Winslow in the Classical Theater of Harlem's jolting production, contributes some terrific laughs to Euripides' grim tragedy. In the end, "The Baxter" is a Baxter of a movie: well meaning and mildly likable, but unlikely to sweep you off your feet. Charles Laughton gulps beer and chomps on mutton, in his first of many iconic screen roles, as King Henry VIII, the ultimate anti-husband.
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